Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Marco Grosoli"'
Autor:
Marco Grosoli
Publikováno v:
Film-Philosophy, Vol 28, Iss 3, Pp 454-476 (2024)
This article shows that Jacques Rivette’s film criticism recalls the Hegelianism of Catherine Malabou’s formulation of plasticity in The Future of Hegel. Enlarging the scope of a previous article on Hegel’s influence on Rivette (Douglas Morrey
Externí odkaz:
https://doaj.org/article/949506280ff849d39d7708cb46f80fcf
Autor:
Marco Grosoli
Publikováno v:
Cinergie, Iss 25, Pp 73-81 (2024)
Adapted from the first novel by Raymond Chandler’s Italian translator Attilio Veraldi, The Payoff (La mazzetta, 1978) is a relatively unusual attempt at hybridization between crime (mainly hard-boiled) fiction and comedy, made at a time when Italia
Externí odkaz:
https://doaj.org/article/e45594e96a0847f2a835f57992d029db
Autor:
Marco Grosoli
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 22, Pp 86-91 (2022)
Externí odkaz:
https://doaj.org/article/f48d78d12a7f4e559064df0056cbe0f0
Autor:
Marco Grosoli
Publikováno v:
Cinergie, Vol 1, Iss 1, Pp 23-27 (2012)
Externí odkaz:
https://doaj.org/article/3c71aa794819407f8e5488a3b0c75e3d
Autor:
Marco Grosoli, Federico Pagello
Publikováno v:
Cinergie, Vol 1, Iss 1, Pp 3-5 (2012)
Externí odkaz:
https://doaj.org/article/ae4eee23942745c78f411811a976d4ae
Autor:
Marco Grosoli
Publikováno v:
Cinéma & Cie, Vol 11, Iss 16-17 (2011)
Externí odkaz:
https://doaj.org/article/408262f7fdc0489cb76ca588ed44b33d
Autor:
Marco Grosoli
Publikováno v:
Storicamente, Vol 5, Iss 1 (2009)
Externí odkaz:
https://doaj.org/article/6cdd215857b64c7096004a33cef7bad8
Autor:
Marco Grosoli
In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fas
Autor:
Marco Grosoli
Publikováno v:
Sine ni Lav Diaz ISBN: 9781789384253
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b5715ad64144a628c36e8d9b3b5b0e34
https://doi.org/10.2307/j.ctv36xvxtc.11
https://doi.org/10.2307/j.ctv36xvxtc.11
Autor:
Marco Grosoli
Publikováno v:
Studies in French Cinema. 17:198-215
This paper analyses Claude Chabrol’s 1975 Une partie de plaisir, and aims to show that many of its features seem to implicitly belie the premises tacitly underlying the Nouvelle Vague movement, thereby ideally marking its end. It does so by particu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0da5ed87afdfe687cc4e249f72156f05
https://doi.org/10.1080/14715880.2017.1315525
https://doi.org/10.1080/14715880.2017.1315525