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Zobrazeno 1 - 10 of 62 pro vyhledávání: '"Marco, Liuni"'
1
Akademický článek
CLEESE: An open-source audio-transformation toolbox for data-driven experiments in speech and music cognition.
Autor: Juan José Burred, Emmanuel Ponsot, Louise Goupil, Marco Liuni, Jean-Julien Aucouturier
Publikováno v: PLoS ONE, Vol 14, Iss 4, p e0205943 (2019)
Over the past few years, the field of visual social cognition and face processing has been dramatically impacted by a series of data-driven studies employing computer-graphics tools to synthesize arbitrary meaningful facial expressions. In the audito
Externí odkaz: https://doaj.org/article/28ea022f79934b9c8ee63a4a05452cbc
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2
It’s not what you say, it’s how you say it: A retrospective study of the impact of prosody on own-name P300 in comatose patients
Autor: Estelle, Pruvost-Robieux, Nathalie, André-Obadia, Angela, Marchi, Tarek, Sharshar, Marco, Liuni, Martine, Gavaret, Jean-Julien, Aucouturier
Publikováno v: Clinical Neurophysiology
Clinical Neurophysiology, 2022, 135, pp.154-161. ⟨10.1016/j.clinph.2021.12.015⟩
International audience; ObjectiveThe acoustic characteristics of stimuli influence the characteristics of the corresponding evoked potentials in healthy subjects. Own-name stimuli are used in clinical practice to assess the level of consciousness in
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3e9b48aad9623c5933b5df408d0fdf00
https://doi.org/10.1016/j.clinph.2021.12.015
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3
N°21 – Impact of own-name prosody on P300 responses in comatose patients
Autor: Estelle Pruvost-Robieux, Nathalie André-Obadia, Angela Marchi, Tarek Sharshar, Marco Liuni, Martine Gavaret, Jean-Julien Aucouturier
Publikováno v: Clinical Neurophysiology. 150:e79
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::23fbbb2c88a8d43b2a5daa99c3bcc874
https://doi.org/10.1016/j.clinph.2023.03.035
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4
Even violins can cry: specifically vocal emotional behaviours also drive the perception of emotions in non-vocal music
Autor: Laura Rachman, Pablo Arias, D. Bedoya, Marco Liuni, Jean-Julien Aucouturier, Louise Goupil, Clément Canonne
Publikováno v: Philosophical Transactions of the Royal Society B: Biological Sciences
A wealth of theoretical and empirical arguments have suggested that music triggers emotional responses by resembling the inflections of expressive vocalizations, but have done so using low-level acoustic parameters (pitch, loudness, speed) that, in f
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1ae2ae5f45fe1407d7eff0dcb520b5d8
https://pubmed.ncbi.nlm.nih.gov/34719254
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5
Enjoy The Violence
Autor: Marco Liuni, Rosalie Ollivier, Jean-Julien Aucouturier, Louise Goupil
Publikováno v: Music Perception. 37:95-110
Traditional neurobiological theories of musical emotions explain well why extreme music such as punk, hardcore or metal, whose vocal and instrumental characteristics share much similarity with acoustic threat signals, should evoke unpleasant feelings
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::cddb82885c40973081271a0bd2d33041
https://doi.org/10.1525/mp.2019.37.2.95
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6
Beyond correlation: acoustic transformation methods for the experimental study of emotional voice and speech
Autor: Laura Rachman, Pablo Arias, Jean-Julien Aucouturier, Marco Liuni
Publikováno v: Emotion Review
Emotion Review, 2020, ⟨10.1177/1754073920934544⟩
While acoustic analysis methods have become a commodity in voice emotion research, experiments that attempt not only to describe but to computationally manipulate expressive cues in emotional voice and speech have remained relatively rare. We give he
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ea96fae7d7fd2f9fa2a8e1f63b8a2b96
https://hal.archives-ouvertes.fr/hal-02907502
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7
Sound context modulates perceived vocal emotion
Autor: Gregory A. Bryant, Marco Liuni, Emmanuel Ponsot, Jean-Julien Aucouturier
Publikováno v: Behavioural Processes
Behavioural Processes, Elsevier, 2020, ⟨10.1016/j.beproc.2020.104042⟩
Many animal vocalizations contain nonlinear acoustic phenomena as a consequence of physiological arousal. In humans, nonlinear features are processed early in the auditory system, and are used to efficiently detect alarm calls and other urgent signal
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9ad0e43697e3f9d6d960e1a2c3a5f301
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8
Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness
Autor: Marta Gentilucci, Marco Liuni, Luc Ardaillon
Publikováno v: Computer Music Journal
Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2019
This article presents the results of collaboration between a composer and researchers in the context of vocal roughness and composing for voice. Our research focused on parametric control of distortion. Specifically, we present a software device that
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0710c8da8fd748c2df06957b4ba8c21f
https://doi.org/10.1162/comj_a_00485
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9
Vocal markers of preoperative anxiety: a pilot study
Autor: Andrea Vaglio, Gilles Guerrier, Christophe Baillard, Laurent Lellouch, Pierre-Raphaël Rothschild, Jean-Julien Aucouturier, Marco Liuni
Publikováno v: British Journal of Anaesthesia. 123:e486-e488
Introduction Recent European guidelines in anaesthesia recommend systematic pre-operative anxiety management to prevent its negative peri-operative impact, 1 including impaired memorization of important instructions, and higher incidence of post-oper
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a383051ccf0f5d5090975a9e8d9dee5a
https://doi.org/10.1016/j.bja.2019.06.020
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10
Enjoy The Violence: Is appreciation for extreme music the result of cognitive control over the threat response system?
Autor: Jean-Julien Aucouturier, Louise Goupil, Marco Liuni, Rosalie Ollivier
Publikováno v: Music Perception
Music Perception, University of California Press, In press, ⟨10.1101/510008⟩
Traditional neurobiological theories of musical emotions explain well why extreme music such as punk, hardcore or metal, whose vocal and instrumental characteristics share much similarity with acoustic threat signals, should evoke unpleasant feelings
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::07a19012c483cc29b3fb98eaef5d679d
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