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of 22
pro vyhledávání: '"Marco, Bizzarini"'
Autor:
Marco Bizzarini
In 1637, a dramma musicale entitled La Santa Cecilia was performed in Warsaw for the royal wedding between Ladislas IV, king of Poland, and te Archduchess Cecilia Renata of Austria. The sovereing himself had previously been an avid theatre-goer durin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::764e7fc7b7113ea43d3636f534dba562
https://hdl.handle.net/11588/900511
https://hdl.handle.net/11588/900511
Autor:
Marco Bizzarini
Il saggio propone alcune riflessioni sulla ricezione otto-novecentesca del mito di Beethoven e sulle nuove possibilità che, tenuto conto delle più aggiornate ricerche storiche, si aprono all'interpretazione della sua musica.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::395a6d05012730d5f865a55bf4d4e748
https://hdl.handle.net/11588/900515
https://hdl.handle.net/11588/900515
Autor:
Marco Bizzarini
Il cardinal Federigo Borromeo di manzoniana memoria ebbe un’intensa corrispondenza con diverse claustrali del suo tempo. Alcune di loro coltivavano l’arte musicale attraverso il canto, l’esecuzione strumentale e la composizione. A differenza di
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::449ac33112b840983880aa902c6dd961
https://hdl.handle.net/11588/915518
https://hdl.handle.net/11588/915518
Autor:
Marco Bizzarini
During the Renaissance astronomy was not only considered a branch of mathematics dedicated to the study of the motion of celestial bodies, but was also charged with symbolic and philosophical implications. Like the method applied in his Istitutioni h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::d04cdb7ec09fc081a9907d943a5fe019
https://hdl.handle.net/11588/905294
https://hdl.handle.net/11588/905294
Autor:
Marco Bizzarini, Agnieszka Pudlis
In un dipinto attribuito, tra gli altri, al pittore francese Étienne de la Hire (1583-1643), oggi esposto al Castello Reale di Varsavia, è raffigurato, secondo un’interpretazione corrente, lo studio di re Ladislao IV di Polonia con una serie di o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::c244a2be3534a63637ae01631960d783
http://hdl.handle.net/11588/832378
http://hdl.handle.net/11588/832378
Autor:
Marco Bizzarini
Claudio Monteverdi between the prisca philosophia and the Defence of the Modern Music · Monteverdi’s musical innovations can be compared to the Copernican revolution in astronomy: in both cases, new perspectives were presented under the reassuring
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::56b2788bf183c81d05e070a42a2cb53a
http://hdl.handle.net/11588/757395
http://hdl.handle.net/11588/757395
Autor:
Marco Bizzarini
Lo studio esamina e contestualizza le preziose osservazioni di Charles Burney sulle esecuzioni di musica sacra durante il suo viaggio in Italia effettuato nel 1770.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3730::d96dfc2862b1811281ee86d7de6cd665
http://hdl.handle.net/11588/757700
http://hdl.handle.net/11588/757700