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pro vyhledávání: '"Marcia J. Citron"'
Autor:
Marcia J. Citron
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the oper
Autor:
Marcia J Citron
Publikováno v:
Music and Letters. 102:837-840
Autor:
Marcia J. Citron
Publikováno v:
Voicing the Cinema
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b0aa01eee8c40009eaaebdb5d6bda74d
https://doi.org/10.5406/j.ctvz0hcn6.9
https://doi.org/10.5406/j.ctvz0hcn6.9
Autor:
Marcia J. Citron
Publikováno v:
Music and Letters. 98:678-681
Autor:
Marcia J. Citron
Publikováno v:
Journal of the American Musicological Society. 70:475-522
Tony Britten's film Falstaff (2008) is an unusual, even radical opera-film. An updated treatment with a colloquial English translation and a chamber arrangement, and lacking many operatic elements, the film enacts a remediation of opera-film through
Autor:
Marcia J. Citron
Publikováno v:
Music and Letters. 97:344-347
Autor:
Marcia J. Citron
Publikováno v:
Music and Letters. 96:306-309
Autor:
Marcia J. Citron
Publikováno v:
Masculinity and Western Musical Practice
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::708a5ddbf11527e006297893549fb29c
https://doi.org/10.4324/9781315091419-11
https://doi.org/10.4324/9781315091419-11
Autor:
Marcia J. Citron
Publikováno v:
19th-Century Music. 34:316-340
I argue that Quantum of Solace , the 2008 James Bond movie, marks a change in the conception of the opera visit in film, which typically shows opera in an idealizing light. Quantum 9s opera visit, which may be a “first” in an action film, signifi
Autor:
Marcia J. Citron
Publikováno v:
Nineteenth-Century Music Review. 11:177-179