Zobrazeno 1 - 8
of 8
pro vyhledávání: '"María del Mar González Chacón"'
Publikováno v:
Estudios Irlandeses, Vol 17, Iss 17, Pp 16-27 (2022)
In Melt (2017), by Shane Mac an Bhaird, two Irish scientists struggle in the Antarctic to reach glory from their research while Veba, a female creature found in the subglacial lake, questions the reality or fantasy of the episode. The study carried o
Externí odkaz:
https://doaj.org/article/3508fa8f29194475ba658ce033162b80
Publikováno v:
Cuadernos de Investigación Filológica, Vol 43, Iss 0, Pp 119-137 (2017)
This article looks at how the myth of Penelope relates to Marina Carr’s Midlands Trilogy and Enda Walsh’s Penelope. The analysis of the articulation of Marina Carr’s Penelopes serves to approach the questions of the influence of waiting in thes
Externí odkaz:
https://doaj.org/article/0d6e53b9b3074872a85dd47d1228ff1a
Publikováno v:
Miscelánea: A Journal of English and American Studies, Vol 60 (2019)
Translation and adaptation play an essential role in Irish contemporary theatre. Irish playwrights have turned to continental writers, such as Federico García Lorca, to rewrite their culture through another culture. Frank McGuinness has followed thi
Externí odkaz:
https://doaj.org/article/45d6f5e1adbe4c4b8b7b0cf1a47c0b4f
Publikováno v:
The Grove, Vol 22 (2016)
The use of mythology in the theatre of the leading contemporary Irish playwright Marina Carr evokes the classical antiquity in her first plays, The Mai (1994) amongst them, through characters that pursue a mythical ending and resemble Sophoclean Elec
Externí odkaz:
https://doaj.org/article/870440999b6d4a379fe644a4c65472fd
Publikováno v:
The Grove, Vol 22 (2015)
The theatre of Marina Carr evokes Sophocles’ Electra in The Mai (1994), through female characters that pursue a mythical ending. It turns to classical modernity in Marble (2009), when women are unable to coexist with normative models, Trojan territ
Externí odkaz:
https://doaj.org/article/c8cf97780a5d4135981d1b84248a2c33
Publikováno v:
Studies in Theatre and Performance. :1-18
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ee2af492d92ee27a117048aed5b1e8c6
https://doi.org/10.1080/14682761.2022.2043610
https://doi.org/10.1080/14682761.2022.2043610
Publikováno v:
WOS:000607641400006
RUO: Repositorio Institucional de la Universidad de Oviedo
Universidad de Oviedo (UNIOVI)
RUO. Repositorio Institucional de la Universidad de Oviedo
Universidad de las Islas Baleares
RUO: Repositorio Institucional de la Universidad de Oviedo
Universidad de Oviedo (UNIOVI)
RUO. Repositorio Institucional de la Universidad de Oviedo
Universidad de las Islas Baleares
Pojęcie krawędzi w sztukach Mariny Carr Kobiety w sztukach Mariny Carr zawsze są na krawędzi. Mai cierpi z powodu braku indywidualności i próbuje odrzucić ograniczenia narzucone przez rodzinę, Portia walczy o prawo do bycia matką która nie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b1fe9c6c962dac31c14af602dbf91f75
http://hdl.handle.net/10651/59278
http://hdl.handle.net/10651/59278
Publikováno v:
WOS:000395272600002
RUO. Repositorio Institucional de la Universidad de Oviedo
instname
Complutense Journal of English Studies; Vol 24 (2016); 25-41
Complutense Journal of English Studies; Vol. 24 (2016); 25-41
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
RUO. Repositorio Institucional de la Universidad de Oviedo
instname
Complutense Journal of English Studies; Vol 24 (2016); 25-41
Complutense Journal of English Studies; Vol. 24 (2016); 25-41
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
A common approach to Irish theatre during the last years has been the identification of the interest by the playwrights in rewriting, adapting or translating Greek tragedies. This article examines Euripides’ Hecuba by Frank McGuinness (2004) and Ma
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3661d42fbf1ca52d08cc125a6e69fae3
http://hdl.handle.net/10651/43395
http://hdl.handle.net/10651/43395