Zobrazeno 1 - 10
of 38
pro vyhledávání: '"Manuela Vagnini"'
Publikováno v:
Heritage, Vol 4, Iss 4, Pp 2792-2809 (2021)
Non-invasive optical spectroscopical analyses were conducted on the three main walls of Alexander and Roxane’s Wedding Room in Villa Farnesina, Rome. The north and the east walls were frescoed by Sodoma in 1519. The decoration of the third wall was
Externí odkaz:
https://doaj.org/article/26d26b3e1a7742208b569802fb0c7cc6
Autor:
Maria Letizia Amadori, Valeria Mengacci, Manuela Vagnini, Antonella Casoli, Parviz Holakooei, Negar Eftekhari, Kyi Lin, Yoshifumi Maekawa, Giulia Germinario
Publikováno v:
Applied Sciences, Vol 11, Iss 23, p 11441 (2021)
Pagán is an ancient city located in Myanmar that is renowned for the remains of about 4000 pagodas, stupas, temples and monasteries dating from the 11th to 13th centuries. Due to a magnitude 6.8 earthquake in 2016, more than 300 ancient buildings we
Externí odkaz:
https://doaj.org/article/da0763e3fe244eabbdcadddefbdc1955
Publikováno v:
Journal of Analytical Methods in Chemistry, Vol 2018 (2018)
Two real case studies, an oil painting on woven paper and a cycle of mural paintings, have been presented to validate the use of infrared reflection spectroscopy as suitable technique for the identification of bone black pigment. By the use of the sh
Externí odkaz:
https://doaj.org/article/7170bcfe2b424042874b6dd09126b9e9
Publikováno v:
Heritage, Vol 4, Iss 157, Pp 2792-2809 (2021)
Heritage (Basel) Online 4 (2021): 2792–2809. doi:10.3390/heritage4040157
info:cnr-pdr/source/autori:Vagnini, Manuela; Anselmi, Chiara; Azzarelli, Michela; Sgamellotti, Antonio/titolo:Things Always Come in Three: Non-Invasive Investigations of Alexander and Roxane's Wedding Room in Villa Farnesina/doi:10.3390%2Fheritage4040157/rivista:Heritage (Basel) Online/anno:2021/pagina_da:2792/pagina_a:2809/intervallo_pagine:2792–2809/volume:4
Heritage
Volume 4
Issue 4
Pages 157-2809
Heritage (Basel) Online 4 (2021): 2792–2809. doi:10.3390/heritage4040157
info:cnr-pdr/source/autori:Vagnini, Manuela; Anselmi, Chiara; Azzarelli, Michela; Sgamellotti, Antonio/titolo:Things Always Come in Three: Non-Invasive Investigations of Alexander and Roxane's Wedding Room in Villa Farnesina/doi:10.3390%2Fheritage4040157/rivista:Heritage (Basel) Online/anno:2021/pagina_da:2792/pagina_a:2809/intervallo_pagine:2792–2809/volume:4
Heritage
Volume 4
Issue 4
Pages 157-2809
Non-invasive optical spectroscopical analyses were conducted on the three main walls of Alexander and Roxane’s Wedding Room in Villa Farnesina, Rome. The north and the east walls were frescoed by Sodoma in 1519. The decoration of the third wall was
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::904da114e7316b6d855081db9f22df6c
https://www.mdpi.com/2571-9408/4/4/157
https://www.mdpi.com/2571-9408/4/4/157
Autor:
Emad Matin, Chiara Viviani Anselmi, Pierfrancesco Callieri, Valeria Mengacci, Manuela Vagnini, Riccardo Vivani, Alireza Askari Chaverdi, Maria Letizia Amadori
Publikováno v:
Microchemical journal
167 (2021). doi:10.1016/j.microc.2021.106304
info:cnr-pdr/source/autori:Amadori M.L.; Vagnini M.; Vivani R.; Anselmi C.; Chaverdi A.A.; Callieri P.; Matin E.; Mengacci V./titolo:Advances in characterization of colourful residues unearthed in Persepolis West craft zone using microscopic and spectroscopic techniques/doi:10.1016%2Fj.microc.2021.106304/rivista:Microchemical journal (Print)/anno:2021/pagina_da:/pagina_a:/intervallo_pagine:/volume:167
167 (2021). doi:10.1016/j.microc.2021.106304
info:cnr-pdr/source/autori:Amadori M.L.; Vagnini M.; Vivani R.; Anselmi C.; Chaverdi A.A.; Callieri P.; Matin E.; Mengacci V./titolo:Advances in characterization of colourful residues unearthed in Persepolis West craft zone using microscopic and spectroscopic techniques/doi:10.1016%2Fj.microc.2021.106304/rivista:Microchemical journal (Print)/anno:2021/pagina_da:/pagina_a:/intervallo_pagine:/volume:167
The microstructure and chemical composition of blue and green pellets, coloured lump pigments and a metal scrap excavated in Persepolis West (Fars, Iran), by the Iranian-Italian Joint Archaeological Mission in Fars in 2008–09, were investigated to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7cb8b78df29aa8c7cb6c846cc753fb99
http://hdl.handle.net/11585/874762
http://hdl.handle.net/11585/874762
A multidisciplinary approach, including compositional, spectroscopic and microscopic methodologies, is often used for the analysis and identification of pigments in Fine Arts. Although a large part of widely used natural and synthetic pigments contai
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c536463a7a66678047e1b058c78da4f2
https://doi.org/10.5194/egusphere-egu21-3142
https://doi.org/10.5194/egusphere-egu21-3142
Autor:
Michela Azzarelli, Tommaso Frizzi, Chiara Anselmi, Claudio Seccaroni, Roberto Alberti, Antonio Sgamellotti, Manuela Vagnini, Mallio Falcioni
Publikováno v:
Rendiconti lincei. Scienze fisiche e naturali 31 (2020): 913–917. doi:10.1007/s12210-020-00960-4
info:cnr-pdr/source/autori:Anselmi, Chiara; Vagnini, Manuela; Seccaroni, Claudio; Azzarelli, Michela; Frizzi, Tommaso; Alberti, Roberto; Falcioni, Mallio; Sgamellotti, Antonio/titolo:Imaging the antique: unexpected Egyptian blue in Raphael'sGalateaby non-invasive mapping/doi:10.1007%2Fs12210-020-00960-4/rivista:Rendiconti lincei. Scienze fisiche e naturali/anno:2020/pagina_da:913/pagina_a:917/intervallo_pagine:913–917/volume:31
info:cnr-pdr/source/autori:Anselmi, Chiara; Vagnini, Manuela; Seccaroni, Claudio; Azzarelli, Michela; Frizzi, Tommaso; Alberti, Roberto; Falcioni, Mallio; Sgamellotti, Antonio/titolo:Imaging the antique: unexpected Egyptian blue in Raphael'sGalateaby non-invasive mapping/doi:10.1007%2Fs12210-020-00960-4/rivista:Rendiconti lincei. Scienze fisiche e naturali/anno:2020/pagina_da:913/pagina_a:917/intervallo_pagine:913–917/volume:31
Unexpected finding of Egyptian blue emerged in Raphael’s fresco Triumph of Galatea at Villa Farnesina, in Rome. This pigment is the oldest man-made blue, dating back to Egyptians who manufactured it first and whose occurrence was thought to be lost
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1699c5d381c2d04f4ab3b15378a6cdf3
http://www.cnr.it/prodotto/i/436352
http://www.cnr.it/prodotto/i/436352
Publikováno v:
Science and Art. The contemporary painted surface. Cambridge: The Royal Society of Chemistry, 2020
info:cnr-pdr/source/autori:Gianluca Poldi, Chiara Anselmi, Alessia Daveri and Manuela Vagnini/titolo:Josef Albers' Use of 20th Century Pigments: A Non-invasive Analytical Approach/titolo_volume:Science and Art. The contemporary painted surface/curatori_volume:/editore: /anno:2020
info:cnr-pdr/source/autori:Gianluca Poldi, Chiara Anselmi, Alessia Daveri and Manuela Vagnini/titolo:Josef Albers' Use of 20th Century Pigments: A Non-invasive Analytical Approach/titolo_volume:Science and Art. The contemporary painted surface/curatori_volume:/editore: /anno:2020
A survey about Josef Albers' painting materials is presented through non-invasive spectroscopic analyses. Josef Albers (1888-1976), a German-born, Bauhaus-educated designer, moved in 1934 to the United States, where he became a globally influential a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=cnr_________::ffaf86e0b79f29de3f299bd313b93160
http://www.cnr.it/prodotto/i/436355
http://www.cnr.it/prodotto/i/436355
A survey about Josef Albers' painting materials is presented through non-invasive spectroscopic analyses. Josef Albers (1888–1976), a German-born, Bauhaus-educated designer, moved in 1934 to the United States, where he became a globally influential
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8bed17d36b8c59fafc5f96b32541c2c8
https://doi.org/10.1039/9781788016384-00067
https://doi.org/10.1039/9781788016384-00067