Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Manuela Partearroyo"'
Autor:
Manuela Partearroyo
Publikováno v:
Finzioni, Vol 1, Iss 2, Pp 50-68 (2022)
In 1948, a young screenwriter named Federico Fellini wrote the main argument on which Rossellini based his medium-length film Il Miracolo. After the screening, an accusation of plagiarism was brought upon the film. The many thematic and tonal similar
Externí odkaz:
https://doaj.org/article/c5bff2af3fa24c61b8f7ce42703d3109
Autor:
Manuela Partearroyo
Publikováno v:
Cuadernos de Filología Italiana, Vol 21, Iss 0, Pp 195-212 (2015)
A supposed adulteress, a jealous husband and a vengeance. What would happen if we transferred Othello’s tragedy to a puppet show? On the stage of a miserable theater, Pasolini displays in Che cosa sono le nuvole (1967) the story of some living pupp
Externí odkaz:
https://doaj.org/article/91b03287d7d4459197250af9839314d2
Autor:
Manuela Partearroyo
Publikováno v:
Cuadernos de Filología Italiana, Vol 20, Iss 0, Pp 378-383 (2014)
Externí odkaz:
https://doaj.org/article/ac256c400f9b42b695abd447f8f4646d
Autor:
Iranzu Varela, Alma López, Marina Beloki, Luna Miguel, Elena Urko, O.R.G.I.A, Parole de Queer, Tatiana Romero, Dunia Alzard, Manuela Partearroyo, La Novia de mi Novia, Óscar Romero
«Se podría decir que el universo está en celo […]» Lynn Margulis (h)amor 5_húmedo es una aproximación plural al deseo, al erotismo, a lo que nos pone, desde una perspectiva íntima y personal que nos excita y reivindica la sexualidad de nuest
Autor:
Manuela Partearroyo
Publikováno v:
Cuadernos de Filología Italiana; Vol. 21 (2014); 195-212
Cuadernos de Filología Italiana; V. 21 (2014); 195-212
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Cuadernos de Filología Italiana, Vol 21, Iss 0, Pp 195-212 (2015)
Cuadernos de Filología Italiana; V. 21 (2014); 195-212
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Cuadernos de Filología Italiana, Vol 21, Iss 0, Pp 195-212 (2015)
A supposed adulteress, a jealous husband and a vengeance. What would happen if we transferred Othello’s tragedy to a puppet show? On the stage of a miserable theater, Pasolini displays in Che cosa sono le nuvole (1967) the story of some living pupp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::f80f8af9c2674a97751e8687e98dadf7
https://revistas.ucm.es/index.php/CFIT/article/view/47464
https://revistas.ucm.es/index.php/CFIT/article/view/47464