Zobrazeno 1 - 10
of 75
pro vyhledávání: '"Manuel Betancourt"'
Publikováno v:
Solar, Vol 4, Iss 1, Pp 1-14 (2023)
Renewable energy sources, distributed generation, multi-energy carriers, distributed storage, and low-temperature district heating systems, among others, are demanding a change in the way thermal networks are conceived, understood, and operated. Gove
Externí odkaz:
https://doaj.org/article/e1fcd54b43bd47da9dd9c487f87a5a45
Publikováno v:
CVIR Endovascular, Vol 5, Iss 1, Pp 1-4 (2022)
Abstract Background Dialysis access-associated steal syndrome (DASS) is an infrequent complication after hemodialysis access creation. Clinical symptoms depend on the degree of steal. Percutaneous arteriovenous fistula creation offers a minimally inv
Externí odkaz:
https://doaj.org/article/67469df570ff44e397f6854c649cc5c4
Publikováno v:
Radiology Case Reports, Vol 17, Iss 3, Pp 537-539 (2022)
Externí odkaz:
https://doaj.org/article/5b4d5dcdda214b97b6c51f34adde9820
Publikováno v:
Acta Médica del Centro, Vol 7, Iss 1, Pp 1-3 (2013)
This editorial is presented to reaffirm the importance of managing the main epidemiological indicators. The province of Villa Clara has great advances that have been achieved with great efforts and resources, and the priority of the health policy. It
Externí odkaz:
https://doaj.org/article/6dbcfe65ffbe42bb8a522fe3193b75b7
Autor:
Manuel Betancourt
On the night of Sunday, April 23, 1961 Judy Garland made history. That's no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon
Autor:
Manuel Betancourt
Publikováno v:
Film Quarterly. 76:82-86
FQ columnist Manuel Betancourt discusses the emphasis on history and memory in recent Latin American cinema. Taking Pablo Larraín’s No (2012), about the plebiscite that marked the end of the Chilean dictator Augusto Pinochet’s regime, as an ur-t
Autor:
Manuel Betancourt
Publikováno v:
Film Quarterly. 75:76-79
FQ columnist Manuel Betancourt muses on the difference between responsibility and accountability in the context of nonfiction cinema’s impulse towards and history of speaking up and back to power. In keeping with his preference for poetic nonfictio
Autor:
Manuel Betancourt
Publikováno v:
Film Quarterly. 75:64-68
FQ columnist Manuel Betancourt uses the odd couple pairing of Thai auteur Apichatpong Weerasethakul’s Memoria (2021) and Walt Disney Animation Studios’ Encanto (Jared Bush and Byron Howard, 2021) to examine the cinematic representation of his hom
Autor:
Manuel Betancourt
Publikováno v:
Film Quarterly. 76:75-78
FQ columnist Manuel Betancourt ponders the power of the cinematic close-up in an era when the screened face is a ubiquitous presence on phones in selfies, front-facing videos, and Zoom grids alike. Taking Roland Barthes and Argentine writer Manuel Pu
Autor:
Manuel Betancourt
Publikováno v:
Film Quarterly. 76:83-87
FQ columnist Manuel Betancourt discusses three recent Latin American spins on the horror genre: Huesera (Michelle Garza Cervera, 2022), Clara Sola (Nathalie Álvarez Mesén, 2021), and Medusa (Anita Rocha da Silveira, 2021). As modern feminist fables