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pro vyhledávání: '"Malfi Pierandrea"'
Publikováno v:
MATEC Web of Conferences, Vol 36, p 01001 (2015)
The TS (Turin Shroud) is a linen cloth which enveloped the dead body of a tortured and crucified man that is believed by many to be the burial cloth of Jesus Christ. The linen fabric has been radiocarbon dated in 1988 to the Middle Age but a recent r
Externí odkaz:
https://doaj.org/article/eff4129327814fba922f0e695feb880a
Publikováno v:
MATEC Web of Conferences, Vol 36, p 01003 (2015)
Alternative dating methods to radiocarbon have been recently developed to study the Turin Shroud (TS), the linen sheet that according to the tradition enveloped the dead body of Jesus Christ; among them, a mechanical one is based on the study of five
Externí odkaz:
https://doaj.org/article/b64dcd93e33e493db008518b5846852d
The Turin Shroud is the most important and studied relic in the world. Many papers on it have recently appeared in important scientific journals. Scientific studies on the relic until today fail to provide conclusive answers about the identity of the
Publikováno v:
MATEC Web of Conferences; 2016, Vol. 36, p1-15, 15p
Publikováno v:
MATEC Web of Conferences; 2016, Vol. 36, p1-14, 14p
Akademický článek
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From the Mandylion of Edessa to the Shroud of Turin : The Metamorphosis and Manipulation of a Legend
Autor:
Andrea Nicolotti
According to legend, the Mandylion was an image of Christ's face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic a
Autor:
Michael Kowalski
The Shroud of Turin has been the focus of extensive study by historians and researchers since the beginning of the twentieth century. It is possibly the world's most studied historical artifact, generating a regular flow of new research publications.
Autor:
Jacques Suaudeau
Le « suaire de Turin » est une longue bande rectangulaire qui présente sur l'une de ses faces l'empreinte indélébile du corps d'un jeune adulte qui a été supplicié par flagellation suivie de crucifixion. Ces marques, évoquent de façon éton