Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Mahasen Badra"'
Autor:
Mahasen Badra
Publikováno v:
ELOPE, Vol 21, Iss 1 (2024)
The purpose of the present paper is to explore the metatheatrical techniques in The Loves of Cass McGuire by Brian Friel. Those include the play-within-a-play, expressionism, as well as the self-reflexive techniques of Brecht’s and Pirandello’s m
Externí odkaz:
https://doaj.org/article/f617463bbdba40929e18230197745966
Autor:
Mahasen Badra
Publikováno v:
International Journal of Arabic-English Studies. 21
At the threshold of the third millennium, the present article endeavors to contribute to the scholarly and academic discourse over a successor of postmodernism that began to decline since the late 1990s. The study proposes to approach Brian Friel's D
Autor:
Mahasen Badra
Publikováno v:
Mahasen Badra
Since the January 25th Revolution, Egyptian theatre has witnessed a swelling plethora of plays and improvised performances which handle the revolution as a central subject, yet vary in technique, suggesting a promising bloom that lacks a mature visio
Publikováno v:
ELOPE; 2024, Vol. 21 Issue 1, p9-12, 4p
Autor:
Badra, Mahasen
Publikováno v:
ELOPE; 2024, Vol. 21 Issue 1, p283-297, 15p
Autor:
Badra, Mahasen
Publikováno v:
International Journal of Arabic-English Studies (IJAES); Jun2021, Vol. 21 Issue 2, p29-48, 20p
Autor:
Badra, Mahasen
Publikováno v:
International Journal of Literary Humanities; May2014, Vol. 12 Issue 1, p1-12, 12p
Autor:
Mahasen Mahmoud Badra
Publikováno v:
Tarih Kültür ve Sanat Araştırmaları Dergisi, Vol 7, Iss 1, Pp 157-165 (2018)
Mahasen Badra
Mahasen Badra
In two of his poetic plays, The Princess Waits (1969), written under the ruling of the second president of Egypt Gamal Abdel Nasser (1956-1970 in office) and After the King is Dead (1973), written after Nasser’s death, Ṣalaḥ ‘al- Ṣabūr pre