Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Machine improvisation"'
Autor:
Mogensen, René
SomSwarm 1 is a ‘computational creativity’ implemented for musical improvisation performance together with human musicians, and I argue that the implementation is co-creative with human performers in concert music settings. SomSwarm 1 is a first-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::03c8a81dc4ef4c935ecb69835307265a
Akademický článek
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Autor:
Wang, Cheng-i
Publikováno v:
Wang, Cheng-i. (2018). Analysis and Generation of Music Signals with the Variable Markov Oracle. UC San Diego: Music. Retrieved from: http://www.escholarship.org/uc/item/7tg5c8rb
Music is temporal in nature, and each music piece has its own way of building expectations and surprises while the piece unfolds itself in time. Musical expectations are created by regularities of series of musical events while surprises are created
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______325::45d719be37dc8643b7e36410065f9c45
http://www.escholarship.org/uc/item/7tg5c8rb
http://www.escholarship.org/uc/item/7tg5c8rb
Publikováno v:
International Computer Music Conference
International Computer Music Conference, Oct 2017, Shangai, China
International Computer Music Conference, Oct 2017, Shangai, China
International audience; The collaborative research and development project DYCI2, Creative Dynamics of Improvised Interaction, focuses on conceiving, adapting, and bringing into play efficient models of artificial listening, learning, interaction, an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::dc1473a6b1b284e95df57ab9425f6cd8
https://hal.archives-ouvertes.fr/hal-01583089/file/DYCI2_CreativeAgents_Nika_al.pdf
https://hal.archives-ouvertes.fr/hal-01583089/file/DYCI2_CreativeAgents_Nika_al.pdf
Autor:
Nika, Jérôme
Publikováno v:
Sound [cs.SD]. UPMC-Université Paris 6 Pierre et Marie Curie, 2016. English. ⟨NNT : ⟩
Human-Computer Interaction [cs.HC]. Université Pierre et Marie Curie-Paris VI, 2016. English. ⟨NNT : 2016PA066141⟩
Sound [cs.SD]. UPMC-Université Paris 6 Pierre et Marie Curie, 2016. English
Human-Computer Interaction [cs.HC]. Université Pierre et Marie Curie-Paris VI, 2016. English. ⟨NNT : 2016PA066141⟩
Sound [cs.SD]. UPMC-Université Paris 6 Pierre et Marie Curie, 2016. English
This thesis focuses on the introduction of authoring and controls in human-computer music improvisation through the use of temporal scenarios to guide or compose interactive performances, and addresses the dialectic between planning and reactivity in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::18a3d9b44773edc174ed86ed0d5b1deb
https://inria.hal.science/tel-01361835
https://inria.hal.science/tel-01361835
Publikováno v:
International Computer Music Conference
International Computer Music Conference, Sep 2014, Athens, Greece
Scopus-Elsevier
International Computer Music Conference, Sep 2014, Athens, Greece
Scopus-Elsevier
International audience; Improvisation intrinsically carries a dialectic between spontaneity/reactivity and long-term planning/organization. This paper transposes this dialectic to interactive human-computer improvisation where the computer has to int
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::20ebd6fa5bae64d44a0c815e8f8e580a
https://hal.archives-ouvertes.fr/hal-01053834v2/file/NIka_Revised2.pdf
https://hal.archives-ouvertes.fr/hal-01053834v2/file/NIka_Revised2.pdf
Akademický článek
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Akademický článek
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Autor:
Wilson, Adam James
Publikováno v:
Wilson, Adam James. (2009). Automatic Improvisation: A Study in Human/Machine Collaboration. UC San Diego: Music. Retrieved from: http://www.escholarship.org/uc/item/1kt0315h
Described herein is a practical experiment in the spontaneous composition of music through real-time interaction between a human composer-performer and a semi-autonomous network of computer processes. A software system called The Duoquadragintapus wa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______325::0592166bb29141d3d61b61507cb0ba6a
http://www.escholarship.org/uc/item/1kt0315h
http://www.escholarship.org/uc/item/1kt0315h
Publikováno v:
XXXII Conferencia Latinoamericana de Informática CLEI 2006
XXXII Conferencia Latinoamericana de Informática CLEI 2006, Aug 2006, Santiago, Chile. pp.1-1
XXXII Conferencia Latinoamericana de Informática CLEI 2006, Aug 2006, Santiago, Chile. pp.1-1
cote interne IRCAM: Rueda06a; None / None; National audience; Machine improvisation and related style simulation problems usually consider building repre- sentations of time-based media data, such as music, either by explicit coding of rules or apply
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::360341b14ca3cd92d46eda77ae9671b3
https://hal.archives-ouvertes.fr/hal-01161352
https://hal.archives-ouvertes.fr/hal-01161352