Zobrazeno 1 - 4
of 4
pro vyhledávání: '"MAXXI Museum"'
Autor:
Di Maio A
In their artwork "Calendoola: SURUS", visual artists Simone Trabucchi and Simone Bertuzzi AKA Invernomuto, in their characteristically visionary language combine sensory experiences and political urgency, offering a reflection on a potentially dystop
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::b95f76de708426dc3ee829d52de0388d
http://hdl.handle.net/10447/394137
http://hdl.handle.net/10447/394137
Autor:
Alessandra Barbuto
Publikováno v:
On the W@terfront; Vol. 55, No 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
On the W@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55, No 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
On the W@terfront, Vol 55, Iss 1 (2017)
On the W@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55, No 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
On the W@terfront, Vol 55, Iss 1 (2017)
Il MAXXI, Museo Nazionale delle Arti del XXI secolo, è una delle più importanti opere di arte pubblica realizzata e inaugurata negli ultimi anni. Progettata dall’architetto anglo-iracheno Zaha Hadid, selezionata in seguito a un concorso internazi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::28221c20607f7c2d3b18330ef2f4d0bf
http://revistes.ub.edu/index.php/waterfront/article/view/19227
http://revistes.ub.edu/index.php/waterfront/article/view/19227
Autor:
Barbuto, Alessandra
Publikováno v:
On the w@terfront; 2017: Núm.: 55/1 Architettura e arte pubblica in Italia dopo il 1945. II. Dalla “legge del 2%” alle nuove declinazioni...; p. 45-61
Il MAXXI, Museo Nazionale delle Arti del XXI secolo, è una delle più importanti opere di arte pubblica realizzata e inaugurata negli ultimi anni. Progettata dall’architetto anglo-iracheno Zaha Hadid, selezionata in seguito a un concorso internazi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______613::d14b385efffd461d7cd1e17acf2d4345
http://www.raco.cat/index.php/Waterfront/article/view/326407
http://www.raco.cat/index.php/Waterfront/article/view/326407
Autor:
Barbuto, Alessandra
Publikováno v:
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 No 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 No. 1 (2017): Architecture and public art in Italy after 1945. II. From the "Law of 2%" to the new declinations of public art; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 Núm. 1 (2017): Arquitectura y arte público en Italia después de 1945.II. De la "Ley del 2%" a las nuevas formas de arte público; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 No. 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; V. 55 N. 1 (2017): Architettura e arte pubblica in Italia dopo il 1945. II. Dalla “legge del 2%” alle nuove declinazioni dell’arte pubblica; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; v. 55 n. 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
RCUB. Revistas Científicas de la Universidad de Barcelona
instname
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 No. 1 (2017): Architecture and public art in Italy after 1945. II. From the "Law of 2%" to the new declinations of public art; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 Núm. 1 (2017): Arquitectura y arte público en Italia después de 1945.II. De la "Ley del 2%" a las nuevas formas de arte público; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; Vol. 55 No. 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; V. 55 N. 1 (2017): Architettura e arte pubblica in Italia dopo il 1945. II. Dalla “legge del 2%” alle nuove declinazioni dell’arte pubblica; 45-61
on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration; v. 55 n. 1 (2017): Arquitectura i art públic a Itàlia després de 1945.II. De la "Llei del 2%" a les noves formes d'art públic; 45-61
RCUB. Revistas Científicas de la Universidad de Barcelona
instname
MAXXI, the National Museum of XXI Century Arts, is one of the most important works of public art created and inaugurated in the most recent years. The project, designed by the Anglo-Iraqi architect Zaha Hadid, was selected following an international
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=RECOLECTA___::8b83826aa2f066157e29f9752006b98b
https://revistes.ub.edu/index.php/waterfront/article/view/19227
https://revistes.ub.edu/index.php/waterfront/article/view/19227