Zobrazeno 1 - 10
of 16
pro vyhledávání: '"MARGARITA TUPITSYN"'
Autor:
Serguei Alex. Oushakine, EMMA WIDDIS, OKSANA SARKISOVA, OLGA SHEVCHENKO, STEPHEN M. NORRIS, SILVIA BURINI, ALEKSANDAR BOŠKOVIĆ, VLAD STRUKOV, ANGELINA LUCENTO, OKSANA BULGAKOWA, JOHN E. BOWLT, MARGARITA TUPITSYN, NATALIA N. MAZUR, YURI LEVING, EKATERINA MARGOLIS, GABRIELLA A. FERRARI, NATALIA PLAGMANN, ANNA BOKOV, DMITRY V. ARZYUTOV, JANE A. SHARP, CRAIG CAMPBELL, SVETLANA GRACHEVA, KIRILL SVETLIAKOV, DARIA PANAIOTTI, DARIA V. EZEROVA, ROSALIND P. BLAKESLEY
Publikováno v:
The Russian Review. 81:609-682
Autor:
Margarita Tupitsyn
Publikováno v:
Journal of Visual Culture. 16:20-27
Fried’s assertion that Constructivism was a source for Minimalism is supplemented by Donald Judd’s interest in Suprematism. By reading Judd’s review of Kazimir Malevich’s 1973 exhibition in the Guggenheim Museum, this article locates similari
Autor:
Margarita Tupitsyn
Publikováno v:
Third Text. 17:379-388
Autor:
Margarita Tupitsyn
Publikováno v:
History of Photography. 27:172-187
At the end of his essay for the catalogue of the Aleksandr Rodchenko retrospective at the Museum of Modem Art, Peter Galassi characterized Rodchenko's late photographs as illustrations of the photo...
Autor:
Margarita Tupitsyn
Publikováno v:
History of Photography. 24:313-316
The period of Soviet photography, whose histories written at home and abroad I would like to introduce here, did not last more than one decade. At one end, it can be framed with the death of Lenin and A1eksandr Rodchenko's first experiments with stra
Publikováno v:
Art Journal. 58:62-73
Autor:
Margarita Tupitsyn
Publikováno v:
Art Journal. 53:58-62
While the presentation and discussion of photography has made some progress since the beginning of perestroika in 1987, it continues to be the most neglected area in Russia's visual culture.1 Unlike other aspects of contemporary art, which for a numb
Autor:
Margarita Tupitsyn
Publikováno v:
Art Journal. 52:18-24
The poet Velimir Khlebnikov requested that the above lines from a poem written by a thirteen-year-old girl end Sadok Sudei II, the important Futurist publication. The latter was issued only a year prior to Filippo Marinetti's famous visit to Russia,
Publikováno v:
Art Journal. 63:141
Publikováno v:
The Slavic and East European Journal. 45:378