Zobrazeno 1 - 10
of 445
pro vyhledávání: '"MA-XRF"'
Autor:
Jan Verheyen, David Buti, Laura Cartechini, Raffaella Fontana, Magdalena Iwanicka, Marco Raffaelli, Piotr Targowski
Publikováno v:
Heritage Science, Vol 12, Iss 1, Pp 1-15 (2024)
Abstract One of the finest fifteenth-century portraits of the Burgundian Duke Philip the Good resides in the Musée des Beaux-Arts in Dijon. This small yet exceptionally crafted panel holds significance for both historians and art historians alike. S
Externí odkaz:
https://doaj.org/article/e07a0e662d4e4555943847bf136b99a8
Autor:
Alice Dal Fovo, Margherita Morello, Anna Mazzinghi, Caterina Toso, Monica Galeotti, Raffaella Fontana
Publikováno v:
Heritage, Vol 7, Iss 3, Pp 1320-1333 (2024)
Identifying a painting’s pigment palette is crucial for comprehending the author’s technique, as well as for evaluating the degradation of the materials. This paper investigates the stratigraphy and pigments distribution of a 16th-century paintin
Externí odkaz:
https://doaj.org/article/bfd6bec67aa8425daf8b6e92dc28d5ae
Publikováno v:
Heritage, Vol 7, Iss 3, Pp 1188-1201 (2024)
In a recent non-destructive analytical campaign at Museo Civico, Castello Ursino, in Catania, Italy, several paintings in the permanent collection were investigated by MA-XRF scanning, with a special focus on Matthias Stomer’s production. On one de
Externí odkaz:
https://doaj.org/article/c328f56fb50d44008a8d8024d6da26e1
Publikováno v:
Heritage Science, Vol 11, Iss 1, Pp 1-15 (2023)
Abstract This manuscript explores the potential of macro-X-ray fluorescence (MA-XRF) for the non-invasive analysis of heritage textiles. XRF, especially with the portable instruments, is a well-known technique for the non-destructive examination of v
Externí odkaz:
https://doaj.org/article/43f09d2b1d7e4ba991f9f67e41d75bde
Autor:
Laurence de Viguerie, Helen Glanville, Marie Radepont, Angela Cerasuolo, Alessandra Rullo, Claudio Seccaroni, Philippe Walter
Publikováno v:
Heritage Science, Vol 11, Iss 1, Pp 1-9 (2023)
Abstract The Transfiguration by Giovanni Bellini in the Museo di Capodimonte (Naples) is an iconic image of a transcendental event at the heart of the Christian religion. Using non-destructive chemical imaging, and focusing on the central image of th
Externí odkaz:
https://doaj.org/article/91b9c13517f2479cbe9c24221ffcb191
Akademický článek
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Autor:
Raysa C. Nardes, Francis A. C. R. A. Sanches, Ramon S. Santos, Hamilton Gama Filho, Renato P. Freitas, Davi F. Oliveira, Joaquim T. Assis, Eliane M. Zanatta, Marcelino J. Anjos
Publikováno v:
Semina: Ciências Exatas e Tecnológicas, Vol 44 (2023)
A Berlinda de Aparato do Imperador D. Pedro II é um objeto museológico muito importante para a história do Brasil. Trata-se do veículo imperial mais imponente de todo o período monárquico brasileiro, relacionado não apenas com a imagem do impe
Externí odkaz:
https://doaj.org/article/912d08651b27456e8a7c31d80fec96e5
Autor:
Elvira Scialla, Paola Improda, Jessica Brocchieri, Marco Cardinali, Angela Cerasuolo, Alessandra Rullo, Andrea Zezza, Carlo Sabbarese
Publikováno v:
Heritage, Vol 6, Iss 2, Pp 1785-1803 (2023)
Two paintings by the Neapolitan Renaissance painter Colantonio were studied with two non-invasive techniques to enrich the technical–scientific documentation. Infrared reflectography (IR) and x-ray fluorescence (XRF) analyses were performed on Sain
Externí odkaz:
https://doaj.org/article/715ef727a3544c6bbbc0ffe283103917
Publikováno v:
Heritage Science, Vol 11, Iss 1, Pp 1-13 (2023)
Abstract Marat assassiné (Murdered Marat), one of the most famous masterpieces painted by Jacques-Louis David in 1793 has been investigated in situ by means of non-invasive and complementary analytical and imaging techniques. The overall material an
Externí odkaz:
https://doaj.org/article/fc0d611cc76f4ebf959cbe68c7e077a7
Autor:
Anna Mazzinghi, Chiara Ruberto, Lorenzo Giuntini, Pier Andrea Mandò, Francesco Taccetti, Lisa Castelli
Publikováno v:
Heritage, Vol 5, Iss 4, Pp 3993-4005 (2022)
Raffaello is renowned as one of the Old Renaissance Masters and his paintings and painting technique are famous for the details and naturality of the characters. Raffaello is famous in particular for the then-new technique of oil painting, which he m
Externí odkaz:
https://doaj.org/article/76d466ed06c7490089c48373f6b6b351