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Autor:
Méline Dumot
Publikováno v:
Sillages Critiques, Vol 35 (2023)
This article focuses on the digital adaptations of Shakespeare’s plays which have been produced and/or broadcast during the Covid-19 pandemic. It reflects on three assumptions in particular: that digital theatre is not “real” theatre, that audi
Externí odkaz:
https://doaj.org/article/919cd1fe5e10470fbf2a0bbdc3b153bd
Autor:
Méline Dumot
Publikováno v:
Pacific Coast Philology. 56:27-40
Richard III is the perfect Shakespearean figure to look into the clowning tradition at play in the early modern theatrical world. Richard is a wise fool, who delivers the truth under comic appearances, as well as a buffoon, “deformed, unfinish'd, s