Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Mário Vieira de Carvalho"'
Autor:
Mário VIEIRA DE CARVALHO
Publikováno v:
Azafea: Revista de Filosofía, Vol 11, Iss 0, Pp 143-161 (2011)
In this article we explore some of the considerations on one of the most relevant concerns in Th. W. Adorno’s philosophy of music: the problem of musical performance.
Externí odkaz:
https://doaj.org/article/0166478f3f4b45f5a1108aaeb1152b18
Autor:
Mário Vieira de Carvalho
Publikováno v:
Word Art + Gesture Art = Tone Art ISBN: 9783031201080
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b21a50e15443d20b607301ae86deabb8
https://doi.org/10.1007/978-3-031-20109-7_4
https://doi.org/10.1007/978-3-031-20109-7_4
Autor:
Mário Vieira de Carvalho
Publikováno v:
Dramaturgies; No 10 (2019): Ópera, Tecnologia e Novos Media; 10-30
Dramaturgias; n. 10 (2019): Ópera, Tecnologia e Novos Media; 10-30
Dramaturgias; n. 10 (2019): Ópera, Tecnologia e Novos Media; 10-30
From a process that began in the eighteenth century, we have the discussion of the rela- tions between Critical Theory, Opera and Mass Media.
A partir de processo que se iniciou no século XVIII, temos a discussão das re- lações entre tem
A partir de processo que se iniciou no século XVIII, temos a discussão das re- lações entre tem
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0334637b747407c00518cda7dbd6a97a
https://doi.org/10.26512/dramaturgias.v0i10.24867
https://doi.org/10.26512/dramaturgias.v0i10.24867
Autor:
Mário Vieira de Carvalho
Publikováno v:
Dramaturgies; No. 13 (2020): Aristophanes- The City and the Theatre; 365-387
Dramaturgias; n. 13 (2020): Aristófanes – A Cidade e o Teatro; 365-387
Dramaturgias; n. 13 (2020): Aristófanes – A Cidade e o Teatro; 365-387
This paper deals with the analyze the film Fidelio, created by Walter Felsenstein with the collaboration of Hanns Eisler, recently published on DVD in the scope of the monumental edition that marked the thirtieth anniversary of the director's death (
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9ff22f29d601380b071d166b094ac994
https://periodicos.unb.br/index.php/dramaturgias/article/view/31075
https://periodicos.unb.br/index.php/dramaturgias/article/view/31075
Autor:
Mário Vieira de Carvalho
Publikováno v:
Kybernetes. 42:1367-1373
Purpose – The purpose of this paper is to discuss Stockhausen's comment that the destruction of the twin towers in New York in September 11, 2001 was “the greatest work of art that ever existed” – a comment that raises crucial questions about
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::488001ae954b4409f818a0746233feef
https://doi.org/10.1108/k-10-2012-0072
https://doi.org/10.1108/k-10-2012-0072
Autor:
Mário Vieira de Carvalho
Publikováno v:
Twentieth-Century Music. 8:175-202
In this article the highly contested relationship between art and politics in the twentieth century is discussed by way of the life and work of the Portuguese composer Fernando Lopes-Graça (1906–94). Lopes-Graça, who described himself as ‘a com
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7d2d44e0e215107ccdf6223ea98bae5a
https://doi.org/10.1017/s1478572212000072
https://doi.org/10.1017/s1478572212000072
Autor:
Mário Vieira de Carvalho
Publikováno v:
Contemporary Music Review. 18:37-85
The processes of quotation (concerning the sound material, the compositional techniques, the text components and the relationship of ‘intersemiotics’ between text and music) as well as their association with the poetic of montage on macro and mic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c28b005aafc4dcc044a3baf49a452347
https://doi.org/10.1080/07494469900640191
https://doi.org/10.1080/07494469900640191
Autor:
Richard Klein, Sigrid Weigel, Uta Kornmeier, Elio Matassi, Asmus Trautsch, Eli Friedländer, Burkhard Meischein, Matthias Nöther, Adrian Daub, Sabine Schiller-Lerg, Wolfram Ette, Mário Vieira de Carvalho, Yoav Pasovsky, Eres Holz, Hever Perelmuter, Amit Gilutz, Gilad Rabinovitch, Sarah Nemtsov, Tom Rojo Poller, Peng Yin, Danielle Cohen-Levinas, Dirk Naguschewski, Carolyn Steinbeck, Matthias Engler
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d5ba25ec90b4dd911e0f9e4178acc24c
https://doi.org/10.30965/9783846753439
https://doi.org/10.30965/9783846753439
Autor:
Mário Vieira de Carvalho
Publikováno v:
Klang und Musik bei Walter Benjamin ISBN: 9783770553433
"Idiom", "Trauerspiel" und "Dialektik des Hörens" sind die Überschriften der drei Teile dieses Beitrages, der Benjamins Rezeption im Werk Luigi Nonos behandelt. Genauer gesagt: Es handelt sich eher um die verblüffende Konvergenz von Nonos Denken m
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ba192a295fff2f2d47b824b1b841959b
http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/38546
http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/38546
Autor:
Mário Vieira de Carvalho
Publikováno v:
Music and Politics.
The idea of “national music” plays a paramount role in the theory and praxis of the Portuguese composer Fernando Lopes-Graca (1906-1994), who was confronted with it in the 1920s, when ‘nationalism’ increasingly influenced different ideologica
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bc5510367212df7d0716f0361016d182
https://doi.org/10.3998/mp.9460447.0006.104
https://doi.org/10.3998/mp.9460447.0006.104