Zobrazeno 1 - 4
of 4
pro vyhledávání: '"Lysiane Cassia Baldo"'
Autor:
Lysiane Cassia Baldo
Publikováno v:
Travessias, Vol 15, Iss 2, Pp 84-92 (2021)
Occidental theater is born through intermediality. Starting from literary structures to develop itself as a language, for many centuries the theater has been understood as an enunciator of the dramatic text. Furthermore, in its evolution, theater wil
Externí odkaz:
https://doaj.org/article/7aba6ab5933d46c9bb9d3bd5c3b64531
Publikováno v:
Travessias, Vol 15, Iss 1, Pp 165-179 (2021)
The starting point happens with a dialogue between a broadening of ‘dramaturgy’ concept that is performed in contemporary scenic rehearsals/ assays, regarding shows whose aim is investigating the actor’s/performer’s memory in a self-fictional
Externí odkaz:
https://doaj.org/article/3a6645a0aba94273ab63d04d28f49f1e
Autor:
Lysiane Cassia Baldo
Publikováno v:
Travessias. 15:84-92
Occidental theater is born through intermediality. Starting from literary structures to develop itself as a language, for many centuries the theater has been understood as an enunciator of the dramatic text. Furthermore, in its evolution, theater wil
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2e3f4d2b3d5004f55784e15a9c63eec6
https://doi.org/10.48075/rt.v15i2.27735
https://doi.org/10.48075/rt.v15i2.27735
Publikováno v:
Travessias. 15:165-179
O ponto de partida se dá pelo diálogo entre um alargamento do conceito de ‘dramaturgia’ exercitado em experimentações cênicas contemporâneas, colocado em relação a espetáculos que têm como mote a investigação da memória do ator/perfo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2e82ac526316290e49e5f157cfdadb55
https://doi.org/10.48075/rt.v15i1.26227
https://doi.org/10.48075/rt.v15i1.26227