Lukács efter Adorno: om litteraturteorins politik

Autor: Hartle, J.F., Bergman, K., Bäckström, P., Claesson, C., Dahlberg, L., Forslid, T., Franzén, C., Cullhed, A., Helgesson, S., Henrikson, P., Ingvarsson, J., Johansson, A., Johansson, C., Lindhé, C., Lysell, R., Möller, H., Novén, B., Orlov, J., Sjöholm, C., Sundén, J., Ullén, M.

Publikováno v: NORLIT 2009: Codex and code: aestethics, language and politics in an age of digital media : Stockholm, August 6-9, 2009, 115-126
STARTPAGE=115;ENDPAGE=126;TITLE=NORLIT 2009

Whenever Adorno writes about anything that Lukács published after Geschichte und Klassenbewusstsein there is; to phrase it modestly; not much sympathy in his tone. Erpresste Versöhnung (1958) is probably the most polemic article of his Noten zur Li

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Reply to comments on the hunters’ rock art in Northern Norway. problems of chronology and interpretation.

Autor: Hesjedal, Anders

Publikováno v: Norwegian Archaeological Review; Jan1994, Vol. 27 Issue 1, p24-28, 5p

Strindberg and the Western Canon

Autor: Jan Balbierz

During the whole of his writing career August Strindberg was a restless canon-maker. In his capacity as writer, librarian, cultural scholar, polemicist and amateur researcher he constantly quoted sources, both historical and contemporary, included an

Strindberg l’italiano

Autor: Franco Perrelli

Dalle prime timide menzioni del nome di August Strindberg sulla stampa in Italia, nel 1884, sino all'ultimissima regia di Luca Ronconi, a Spoleto, nel 2014: centotrent'anni di storia scenica (ma anche critica ed editoriale) del grande drammaturgo sve