Zobrazeno 1 - 10
of 40
pro vyhledávání: '"Lujza Tari"'
Autor:
Lujza Tari, Aleš Opekar
Publikováno v:
Bloomsbury Encyclopedia of Popular Music of the World.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::59b681c63e649fd08e965ebcc732419d
https://doi.org/10.5040/9781501326110-0381
https://doi.org/10.5040/9781501326110-0381
Autor:
Lujza Tari
Publikováno v:
Bloomsbury Encyclopedia of Popular Music of the World.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8a30d048e78d388751afb686a1c41152
https://doi.org/10.5040/9781501326110-0256
https://doi.org/10.5040/9781501326110-0256
Publikováno v:
Acta Ethnographica Hungarica. 55:261-277
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9ab639f7704bfbb714e1df9ccbc88d8b
https://doi.org/10.1556/aethn.55.2010.1.12
https://doi.org/10.1556/aethn.55.2010.1.12
Autor:
Lujza Tari
Publikováno v:
Acta Ethnographica Hungarica. 55:31-56
Manners of performance by Hungarian village- and town gypsy musicians in historical recordings . The paper describes the different elements of the performance: ornamentation, vibrato, improvisation, intensity of sound, tempo, register, pizzicato, etc
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4c80aa0052d6489d6060d33614bcc06e
https://doi.org/10.1556/aethn.55.2010.1.4
https://doi.org/10.1556/aethn.55.2010.1.4
Autor:
Lujza Tari
Publikováno v:
Studia Musicologica Academiae Scientiarum Hungaricae. 47:141-166
Bela Bartok's collection of Hungarian instrumental folk music is known only for the Hungarian Bartok scholars and ethnomusicologists although Bartok's permanent interest in folk musical instruments, and instruments in general, manifesting itself in e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2aed4334b30cfb3844d27a6a578e0920
https://doi.org/10.1556/smus.47.2006.2.2
https://doi.org/10.1556/smus.47.2006.2.2
Autor:
Lujza Tari
Publikováno v:
Studia Musicologica Academiae Scientiarum Hungaricae. 47:111-125
Die Instrumentalmusik spielt noch heute eine Rolle bei den ungarischen Totenzeremonien. Trotz starkem Schwund weist die traditionelle Bauernkultur auch auf diesem Gebiet Veranderungen auf. Davon kundet der Einsatz von Instrumenten bei der Totenwache.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef13658dabd7e53c2ac262c473259008
https://doi.org/10.1556/smus.47.2006.1.6
https://doi.org/10.1556/smus.47.2006.1.6
Autor:
Lujza Tari
Publikováno v:
Studia Musicologica Academiae Scientiarum Hungaricae. 45:469-474
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3277bf04f63d81a11fe88beeff686c22
https://doi.org/10.1556/smus.45.2004.3-4.8
https://doi.org/10.1556/smus.45.2004.3-4.8
Autor:
Lujza Tari, Réka Kiss, Mónika Lackner, Edina Méri, Éva Deák, Anna Gulyás, Nóra Kertész, Szabina Bognár, Katalin Berkes, Norberta V. Sági, Tünde Turai, Zoltán Klamár, Anikó Bognár, Zsóka Tomán, Krisztina Sedlmayer, Terézia Nagy, Vilmos Voight
Publikováno v:
Acta Ethnographica Hungarica. 48:255-299
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::569dffd388bdb68df78a025abcf923bf
https://doi.org/10.1556/aethn.48.2003.1-2.14
https://doi.org/10.1556/aethn.48.2003.1-2.14