Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Luigi Russolo"'
Autor:
Jimena de Gortari Ludlow
Publikováno v:
Figuras Revista Académica de Investigación, Vol 5, Iss 2 (2024)
Los sonidos de la ciudad son cambiantes, nos movemos por ella sin prestar atención y su análisis –las cartografías– reflejan sólo una parte. Es por ello que es necesario considerar otros aspectos: como el diseño y las formas de la ciudad, pe
Externí odkaz:
https://doaj.org/article/e597292e2017406b98d4c4ee0103f308
Autor:
Adi Louria Hayon
Publikováno v:
Arts, Vol 12, Iss 5, p 209 (2023)
Luigi Russolo’s Intonarumori together with his manifesto L’arte dei rumori (1913) marked a break with the art of clear signification. From here on, noise and dispersed sounds replaced the concept of music reverberating the harmony of the spheres
Externí odkaz:
https://doaj.org/article/bcbf2276dc7c4810bafc79ee7527ba76
Publikováno v:
Наука телевидения, Vol 17, Iss 3, Pp 150-177 (2021)
The article analyzes the phenomena of European art of the first half of the 20th century, which not only prepared the birth of electroacoustic music, but also contributed to the dialogue between this trend of academic art and film music. The new view
Externí odkaz:
https://doaj.org/article/94323a08ec5445979c0d7ce6cd6cec06
Autor:
Ramović, Amila
Publikováno v:
Sophos- časopis mladih istraživača / Sophos - A Young Researchers Journal. (14):91-106
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=994452
Autor:
Vattano, Laura
In 1913, the Italian Futurist Luigi Russolo published a manifesto entitled “L’arte dei rumori” (The Art of Noises) thus laying the foundations for a musical revolution that he would definitively formulate in his homonymous and lesser-known book
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______463::8e7168b907964df8926fe2f65dde36b7
https://hdl.handle.net/1842/39512
https://hdl.handle.net/1842/39512
Autor:
Andrijauskas, Antanas
Publikováno v:
Sovijus. Tarpdalykiniai kultūros tyrimai 2022, t. 10, Nr. 1, p. 138-180.
Straipsnis skirtas pirmiausia antrajame Čiurlionio tapybinės evoliucijos etape išryškėjusių sąsajų su įvairiomis modernistinio meno srovėmis tyrinėjimui ir jų abstrakcijos kryptimi evoliucionuojančių lyderių – Hilmos af Klint, Vasili
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2712::6f4c3a73ec98239b74b6f594b55e889e
https://www.lituanistika.lt/content/101708
https://www.lituanistika.lt/content/101708
Autor:
Baldi, Stefano1
Publikováno v:
Fontes Artis Musicae. Oct-Dec2012, Vol. 59 Issue 4, p424-426. 3p.
Autor:
Dionisio Vila Maior
Procuraremos refletir sobre algumas das figurações literárias, estéticas e artísticas que configuraram o gesto vanguardista futurista (italiano e português): um forte sentido de carnavalização e de transcensão; a intensificação da desumani
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2fa03694734fd737b093f87a92c2eb4e
https://hdl.handle.net/10400.2/12069
https://hdl.handle.net/10400.2/12069
Autor:
David Evans
Publikováno v:
Dix-Neuf. 20:45-65
While Laforgue criticism has explored the prominent role which music plays in his work, studies have focused on Les Complaintes and Derniers vers rather than his abandoned volume Le Sanglot de la Terre. This article suggests that Laforgue's later poe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::853a17de5e531021b2f04b5f9e499459
https://doi.org/10.1080/14787318.2016.1141849
https://doi.org/10.1080/14787318.2016.1141849
Autor:
Mansell, James G.1
Publikováno v:
History of the Human Sciences. Jul2013, Vol. 26 Issue 3, p116-119. 4p.