Výsledky vyhledávání

Monsieur Marcel and Monsieur Flop: failure in clown training at Ecole Philippe Gaulier

Autor: Lucy Amsden

Publikováno v: Theatre, Dance and Performance Training. 8:129-142

The Ecole Philippe Gaulier is a private school for performers, with an international reputation for teaching clown. Gaulier offers a formal training process that emphasises the need for on-going reflective practice. In this classroom students begin t

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::18de01cca3a8c9eac0896e4bfc6bcdc6
https://doi.org/10.1080/19443927.2017.1316304

Zobrazit plný text záznamu

‘When they laugh your clown is coming’: learning to be ridiculous in Philippe Gaulier’s pedagogy of spectatorship

Autor: Lucy Amsden

Publikováno v: Theatre, Dance and Performance Training. 7:4-16

This article sets out the relationship between students on stage and students in the audience in Gaulier’s classroom, termed here the Pedagogy of Spectatorship. Learning to be ridiculous does not entail a specific set of activities; rather it means

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::20e60a1bb0e11267294fddf95a720907
https://doi.org/10.1080/19443927.2015.1133445

Zobrazit plný text záznamu

Symposium abstracts: Pace, penalty and pirouette: the sociology of physical culture

Autor: Laura Bissell, Josephine Leask, Kirsty Kay, Sue Smith, Vanessa coffey, Ursula M. Burger, Emmanuelle Tulle, James Bowness, Bethany Whiteside, Elani Theodoraki, Hande Güzel, Elaine Thomson, Lito Tsitsou, David Overend, Lucy Amsden, Andria Christofidou, Victoria J. Palmer, Conor Heffernan

Publikováno v: The Scottish Journal of Performance. 2:87-103

Pace, penalty and pirouette: the sociology of physical culture was an event organised and hosted by PhD students Victoria Palmer (Glasgow Caledonian University) and Bethany Whiteside (Royal Conservatoire of Scotland). Funded by the British Sociologic

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8d5c3b9d707170fa4d7294992c679d8a
https://doi.org/10.14439/sjop.2014.0201.05

Zobrazit plný text záznamu

‘I’m not really a clown’: critical reflection on a Clown Cabaret Scratch Night

Autor: Lucy Amsden

Publikováno v: The Scottish Journal of Performance.

This article is a critical reflection on the Clown Cabaret Scratch Night at Assembly Roxy, 14 November 2014, organised by Plutôt la Vie and CloWnStePPing. It considers the variety of acts included in the show and how this plurality connects to the w

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7c0700047f462b68eb009bf56ac0ff71
https://doi.org/10.14439/sjop.2015.0202.02

Zobrazit plný text záznamu

Clowns: In Conversation with Modern Mastersby Ezra LeBank and David Bridel

Autor: Lucy Amsden

Publikováno v: Contemporary Theatre Review. 26:102-103

This collection of amicable and funny interviews with high-profile clowns working in circus and theatre focuses on individuality and self-expression, exploring personal biographies, as well as the ...

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::577f6c292761bbe55ca8b649ef9d70d1
https://doi.org/10.1080/10486801.2016.1118821

Zobrazit plný text záznamu