Zobrazeno 1 - 10
of 48
pro vyhledávání: '"Lucio, Spaziante"'
Autor:
Paola Brembilla, Lucio Spaziante
Publikováno v:
Cinergie, Vol 9, Iss 17, Pp 147-161 (2020)
Focusing on the cases of The Deuce (HBO, 2017-19) and The End of the F***ing World (Netflix, 2018-), the current essay aims, on the one hand, at investigating the treatment of transgression and explicit content in two TV series that, in different way
Externí odkaz:
https://doaj.org/article/e61357d2dcce40a389c5db1a8942cc76
Autor:
Lucio Spaziante
Publikováno v:
Rivista di Estetica, Vol 71, Pp 69-91 (2019)
The fictional and textual dimension can be considered as an observation laboratory about representing the future. The science fiction narrative is, moreover, a historically accredited reference in the field of future studies for the development of it
Externí odkaz:
https://doaj.org/article/a50fc8fd9a0f456fbdd03d5204e56643
Autor:
Nicola Dusi, Lucio Spaziante
Publikováno v:
Cinergie, Vol 7, Iss 13, Pp 7-19 (2018)
The article examines, through methodological references to semiotics and film studies, the textual mechanisms of video essay, placed in the perspective of an evolution of studies on remix and remake, as audio-visual practices of recombination.The ess
Externí odkaz:
https://doaj.org/article/ec056f6f87e14b0f9c6bf2b42b1d5e23
Autor:
Lucio Spaziante
Publikováno v:
Cinergie, Vol 5, Iss 9, Pp 8-23 (2016)
This article semiotically analyses constituent elements of disco, describing the traces left in pop culture, at a time when it is enjoying a cultural re-legitimation, not only as music but as a whole lifestyle. Here emerges a micro-cultural system wh
Externí odkaz:
https://doaj.org/article/44ad82798723410391fea0746f56b5ed
Autor:
Paola Brembilla, Lucio Spaziante
Publikováno v:
Cinergie, Iss 18, Pp 243-243 (2020)
Externí odkaz:
https://doaj.org/article/1e9a178ab54e45e9bed62c590bdafcd7
Autor:
Lucio Spaziante
Publikováno v:
The Journal of Popular Television. 8:269-275
The US success of Master of None (2015‐17) has been partly due to its credible mainstream depictions of Indian American life. However, in its second season, the show’s work on identity stereotypes focuses on Italy, specifically describing customs
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3440d59f5e219d5299db159f48602342
https://doi.org/10.1386/jptv_00025_1
https://doi.org/10.1386/jptv_00025_1
Publikováno v:
VIEW Journal, 9(17), 119-133
The article aims to critically explore and understand the ways both RuPaul’s star persona and its program, RuPaul’s Drag Race, are distributed in Italy, circulate across, and impact on the Italian television industry and media culture, it also ai
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a5f853ff3e43e113aa92c86ed3fa130f
http://publications.beeldengeluid.nl/pub/1813
http://publications.beeldengeluid.nl/pub/1813
Autor:
Lucio Spaziante
Publikováno v:
Actes Sémiotiques, Iss 118 (2015)
Externí odkaz:
https://doaj.org/article/8add78641aec407db045bfae520d18de
Autor:
Paola Brembilla, Lucio Spaziante
Focusing on the cases of The Deuce (HBO, 2017-19) and The End of the F***ing World (Netflix, 2018-), the current essay aims, on the one hand, at investigating the treatment of transgression and explicit content in two TV series that, in different way
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ad7c1f3653f63d3ffdc0652997c1ea3b
