Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Lucia Dacome"'
Autor:
Lucia, Dacome
Publikováno v:
Bulletin of the History of Medicine. 95:315-349
This essay considers the pursuits and occupational trajectory of the Parisian anatomical modeler Marie Marguerite Biheron (1719-95), who was celebrated for her anatomical cabinet. It highlights the role of Biheron's circle of friends and supporters i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2a08d8484ffb84504db19e042746c98d
https://doi.org/10.1353/bhm.2021.0032
https://doi.org/10.1353/bhm.2021.0032
Publikováno v:
Nuncius. 35:461-470
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::261a6089857f1e74d074a943391e046d
https://doi.org/10.1163/18253911-03503018
https://doi.org/10.1163/18253911-03503018
Autor:
Lucia Dacome
Publikováno v:
Reproduction
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2d81b5141824a4321e6fe94607a6c996
https://doi.org/10.1017/9781107705647.073
https://doi.org/10.1017/9781107705647.073
Autor:
Lucia Dacome
Malleable Anatomies offers an account of the early stages of the practice of anatomical modelling in mid-eighteenth-century Italy. It investigates the'mania'for anatomical displays that swept the Italian peninsula, and traces the fashioning of anatom
Autor:
Sachiko Kusukawa, Lucia Dacome
Publikováno v:
Renaissance and Reformation. 38:200-202
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::388977b5125eb09f9cbf03beb87d3024
https://doi.org/10.33137/rr.v38i4.26392
https://doi.org/10.33137/rr.v38i4.26392
Autor:
Lucia Dacome
Chapter 3 investigates the activities of the artificers Anna Morandi (1714–1774) and Giovanni Manzolini (1701–1755) by tracing the trajectory of their collection of anatomical waxworks. In the mid-1740s, Giovanni Manzolini worked as an assistant
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c4e3d4ec8412b86a9189d13a53adad4f
https://doi.org/10.1093/oso/9780198736189.003.0004
https://doi.org/10.1093/oso/9780198736189.003.0004
Autor:
Lucia Dacome
The Epilogue traces a shift in attitude towards anatomical modelling. In the mid-eighteenth century anatomical models had been praised for their capacity to defy time in the sense that they both resisted the body’s physical decay and promised to pr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::57d0c3774a86d53c32bdcdcaa0a568ac
https://doi.org/10.1093/oso/9780198736189.003.0009
https://doi.org/10.1093/oso/9780198736189.003.0009
Autor:
Lucia Dacome
Chapter 4 follows Anna Morandi’s activities after her husband’s death, reconstructing the setting in which she consolidated her role as a celebrity and recipient of papal patronage. It situates Morandi’s waxworks within a diversified world of w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4854c402ed3dbe97651b3513056daa67
https://doi.org/10.1093/oso/9780198736189.003.0005
https://doi.org/10.1093/oso/9780198736189.003.0005
Autor:
Lucia Dacome
Chapter 2 follows the making and early viewing of the anatomy room at the Institute of the Sciences. The chapter focuses on the impressive career of Ercole Lelli (1702–1766), the Bolognese artificer and anatomical modeller who was in charge of its
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::47b27cdde28160849dda4d0b163c02e0
https://doi.org/10.1093/oso/9780198736189.003.0003
https://doi.org/10.1093/oso/9780198736189.003.0003
Autor:
Lucia Dacome
Chapter 6 turns to collectors to explore how anatomical modelling and anatomical displays were subject to processes of valorization. It examines how models had the capacity to generate and transfer value by exploring the events related to the sale of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b85db8a4b15fede312dd03701c02304b
https://doi.org/10.1093/oso/9780198736189.003.0007
https://doi.org/10.1093/oso/9780198736189.003.0007