Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Luca Palozzi"'
Publikováno v:
Sculpture Journal. 28:267-284
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3ed4d68cf814bcb84b76ceefcc5713ab
https://doi.org/10.3828/sj.2019.28.2.10
https://doi.org/10.3828/sj.2019.28.2.10
Autor:
Gurå Therese Bergkvist, Luca Palozzi
Publikováno v:
Source: Notes in the History of Art. 37:215-224
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b8879b6c5629558fd5195d5b9ad7ce31
https://doi.org/10.1086/699963
https://doi.org/10.1086/699963
Autor:
Luca Palozzi, Donatella Lippi, Raffaella Bianucci, Philippe Charlier, Otto Appenzeller, Antonio Perciaccante
Publikováno v:
Chest. 155:880-882
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d148fd1b489e994b42ad92b9cf58f122
https://doi.org/10.1016/j.chest.2019.01.022
https://doi.org/10.1016/j.chest.2019.01.022
Autor:
Luca Palozzi
Publikováno v:
Sculpture Journal. 26:283-304
This article contends that a modern discourse about sculpture as an art originated in the thirteenth and the fourteenth centuries in Italy. It suggests that sculpture’s specificity, e.g. its merits and limitations, came to be defined mainly through
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::46397d90588135ed707056164e7c8a88
https://doi.org/10.3828/sj.2017.26.3.2
https://doi.org/10.3828/sj.2017.26.3.2
Autor:
Luca Palozzi
Publikováno v:
Hortus Artium Medievalium. 20:861-873
Since at least 1976 and the publication of Wolfgang Wolters’ La scultura veneziana gotica (1300-1460), art historians and the general public have been familiar with the label ‘Venetian sculpture’. As often happens with winning paradigms, howeve
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::24c6bf2ca71af2a730c3e5bb43bc5a40
https://doi.org/10.1484/j.ham.5.102700
https://doi.org/10.1484/j.ham.5.102700