Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Lubomír Spurný"'
Autor:
Lubomír Spurný
Publikováno v:
Musicologica Brunensia, Vol 54, Iss 2 (2019)
Czech composer Pavel Haas (1899–1944) spent his last years in Theresienstadt. He was sent there after the German occupation of the Czech lands in December of 1941. In the first few months, Haas had great difficulty coping with his internment. Long
Externí odkaz:
https://doaj.org/article/d68d8afb732e4f8ba7d356716ce6fe68
Autor:
Lubomír Spurný, Petr Fančal
Publikováno v:
Musicologica Brunensia, Vol 52, Iss 2 (2017)
This study presents a current approach to music performance analysis. The analysis of sound recordings is still a relatively new discipline of musicology although the approximate 120 years history of the musical data recording offers a wide range of
Externí odkaz:
https://doaj.org/article/06c87ac12f87479d949205ea082d50c3
Autor:
Lubomír Spurný
Publikováno v:
Muzikološki Zbornik, Vol 51, Iss 2, Pp 119-125 (2015)
In the course of the 1920s and 30s Pavel Haas (1899–1944) earned a reputation for himself in broader cultural consciousness as an original composer and Janáček’s “most talented student”. In the specific context of Czech music he likewise ha
Externí odkaz:
https://doaj.org/article/c69b05cd4a7c47e89ed55bacf9e60441
Autor:
Lubomír Spurný
Publikováno v:
Musicologica Brunensia, Vol 51, Iss 2 (2016)
The study comments on the book of Vladimir Helfert Czech modern music (1936). At the time of its release, the book met with a rather great interest of the wider, music loving, public. Until that time there was no local synthetic work concentrated on
Externí odkaz:
https://doaj.org/article/56c4cc559e464f07872b7812804a79d5
Autor:
Lubomír Spurný
Publikováno v:
Muzikološki Zbornik, Vol 49, Iss 2, Pp 75-80 (2013)
Razprava se posveča vlogi Vítězslava Nováka v okviru češke glasbe okoli 1900. Vítězslav Novák (1870–1949) sodi med tiste skladatelje, pri katerih se v številnih ozirih kažejo značilna nasprotja, ki jih je mogoče opisati s funkcijami ce
Externí odkaz:
https://doaj.org/article/59969d1c2f5349e4877ab6b88fd3fa20
Autor:
Lubomír Spurný
Publikováno v:
Zeitschrift der Gesellschaft für Musiktheorie, Vol 4, Iss 3, Pp 323-328 (2007)
Externí odkaz:
https://doaj.org/article/c9945f12a0f54d739acdb683065561b8
Autor:
Lubomír Spurný
Publikováno v:
Musicologica Brunensia, Vol 49, Iss 2 (2014)
The Preliminary study deals with the history of the Czech music semiology. This type of aesthetics theory was developed in Czechoslovakia from the end of the 50s. Since the 70s it has been connected with the activities of the Interdisciplinary team f
Externí odkaz:
https://doaj.org/article/7e502d62cc1746ad8a492bba9f556523
Autor:
Lubomír Spurný
Publikováno v:
Musicologica Brunensia, Vol 48, Iss 2 (2014)
The article is a critical interpretation of selected microtonal compositions of the Czech composer Alois Hába. The author focused his attention on the chamber and choral compositions opp. 7, 10, 27, 31, 43, 72. In the general perspective of music hi
Externí odkaz:
https://doaj.org/article/c94f8f6acb5e44ab88e8a6ebb7ec24eb
Autor:
Lubomír Spurný
Publikováno v:
Musicologica Brunensia, Vol 47, Iss 2 (2012)
Heinrich Schenker divided his time between private teaching, editorial work and the series of theoretical and analytical works for which he is known today. His oeuvre is represented chiefly by three parts of the work "Neue musikalische Theorien und P
Externí odkaz:
https://doaj.org/article/6fb571650d1445d4afffa34c7c8fcbbd
Autor:
Lubomír Spurný
Publikováno v:
Musicologica Brunensia, Vol 46, Iss 1 (2011)
Externí odkaz:
https://doaj.org/article/ec3cbb5f08524018baa43dfa1dbd2129