Zobrazeno 1 - 10
of 41
pro vyhledávání: '"Lourdes MONTERRUBIO IBÁÑEZ"'
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Çédille: Revista de Estudios Franceses, Vol 15, Pp 423-457 (2019)
The presence of the epistolary material in Marguerite Duras’s literary work evolves from its canonical definition as a means of communication to its progressive problematization. In Aurélia Steiner (1979) the letter becomes the enunciation device
Externí odkaz:
https://doaj.org/article/ec715f9d0cac4bcb94360f01f4746fb5
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Çédille: Revista de Estudios Franceses, Vol 14, Iss 2018, Pp 347-376 (2018)
The present article aims to analyse the presence of the epistolary material in the work of Robert Pinget. Essential author of the French New Novel, the writer instrumented the letter device in favor of the rupture practices of this literary renewal,
Externí odkaz:
https://doaj.org/article/ea8a261389304624b07f06dc6ec4aa6e
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Área Abierta, Vol 19, Iss 3 (2019)
Externí odkaz:
https://doaj.org/article/3a9a8418a872448387c8af6e039ce6a9
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Área Abierta, Vol 19, Iss 3 (2019)
El presente artículo analiza la práctica de la correspondencia fílmica a partir del concepto contemporáneo de intersubjetividad: el lugar donde confluyen y se comparten las subjetividades a fin de alcanzar nuevas perspectivas y resultados. El an
Externí odkaz:
https://doaj.org/article/13581f998d7f4a8db63f5fda8f8d73a0
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Revista de Filología Románica, Vol 0, Iss 2, Pp 127-138 (2011)
To re-discover the cinematographic look through the revelation of the unknown city, its images, its sounds, its music, its literature, its identity. In the centenary of the cinema, and of its possible and premature death, the discovery of an unknown
Externí odkaz:
https://doaj.org/article/4f9b47a7dc5d4559a47c2046a6180316
Autor:
Lourdes Monterrubio-Ibáñez
Publikováno v:
Arte, Individuo y Sociedad, Vol Avance en línea (2023)
The displacement from the essay film to the video installation has in Chris Marker one of its first and most relevant figures. The comparative study of Zapping Zone. Proposal for an imaginary television (1990) and Level Five (1997) allows for the ana
Externí odkaz:
https://doaj.org/article/7f8f0c3774644c7ea73e8711701d42dd
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Comparative Cinema
This article aims to carry out an analysis of the spectatorial position as a thinking space for the contemporary essay film based on the comparative study of two Francophone films: Face aux fantômes (Jean-Louis Comolli and Sylvie Lindeperg, 2009) an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::649836f07fc4b8cc30fac86745697fea
https://doi.org/10.31009/cc.2022.v10.i18.04
https://doi.org/10.31009/cc.2022.v10.i18.04
Publikováno v:
Comparative Cinema. 10:95-115
Bertrand Bacqué, Associate Professor at the Haute École d’Art et de Design in Geneva, discusses the work of Pietro Marcello, considered to be one of the most remarkable auteurs of the contemporary essay film and its audiovisual thinking process.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c41c0afa66353df30f19e98da2b64b9b
https://doi.org/10.31009/cc.2022.v10.i18.06
https://doi.org/10.31009/cc.2022.v10.i18.06
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
Escritura e Imagen. 17:197-216
Resumen. El presente artículo pretende analizar los textos de Roland Barthes sobre la práctica cinematográfica. Su resistencia al cine, vinculada a su escritura autobiográfica, se revela como la imposibilidad de fetichizar la imagen en movimiento
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::926dc1850dfe9631705e3f917833340c
https://doi.org/10.5209/esim.78941
https://doi.org/10.5209/esim.78941
The filmmaker’s presence in French contemporary autofiction: from filmeur/filmeuse to acteur/actrice
Autor:
Lourdes Monterrubio Ibáñez
Publikováno v:
New Review of Film and Television Studies
New Review of Film and Television Studies, Taylor & Francis (Routledge), In press
New Review of Film and Television Studies, Taylor & Francis (Routledge), 2022, 19 (4), pp.553-559. ⟨10.1080/17400309.2021.2007713⟩
New Review of Film and Television Studies, Taylor & Francis (Routledge), In press
New Review of Film and Television Studies, Taylor & Francis (Routledge), 2022, 19 (4), pp.553-559. ⟨10.1080/17400309.2021.2007713⟩
International audience; The materialization of autofiction in cinematic practice allows a new identification, adding to the literary author-narrator-character that of the actor. The filmmaker then plays himself generating multiple and interesting pro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f43d23dec25da9c7df67f36213a1a043
https://doi.org/10.1080/17400309.2021.2007713
https://doi.org/10.1080/17400309.2021.2007713