Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Louise Devenish"'
Autor:
Talisha Goh, Cat Hope, Louise Devenish, Margaret S. Barrett, Nicole Canham, Robert L. Burke, Clare Hall
Publikováno v:
Frontiers in Psychology, Vol 15 (2024)
Jazz and improvisation have typically been associated with ideals of freedom and liberty; however, in practice these genres are known to be constrained by entrenched patterns of male domination and gender discrimination. Despite a large number of qua
Externí odkaz:
https://doaj.org/article/9130cd70e50943278791922a16e34857
Autor:
Sam McAuliffe, Louise Devenish
Publikováno v:
Performance Philosophy, Vol 8, Iss 1 (2023)
This paper develops the idea of ‘instrumentality’ to explore how the use of diverse tools or instruments involved in new music have the potential to (re)frame our engagement with the world. It will be argued that the choice of instrumental tools
Externí odkaz:
https://doaj.org/article/f7d22a5ad5114950914c5c5f490ea604
Autor:
Nicole Canham, Talisha Goh, Margaret S. Barrett, Cat Hope, Louise Devenish, Miranda Park, Robert L. Burke, Clare A. Hall
Publikováno v:
Frontiers in Education, Vol 7 (2022)
There is growing interest in examining the gendered nature of music practices worldwide. Recent investigations of access to and equity in the music industry have included studies of gender discrimination in classical music, popular music, film music,
Externí odkaz:
https://doaj.org/article/b59853e64dc84f6cb39489bdf8c514f4
Autor:
Louise Devenish
Publikováno v:
Tempo. 74:6-9
The collection of articles in TEMPO 292 provides the opportunity to examine recent research and approaches towards gender diversity in new music from an Australian perspective. The otherwise under-recognised contributions to the development of music
Publikováno v:
Tempo. 74:30-37
Over the past two decades significant changes in approaches to gender equity have taken place in the fields of contemporary music and music research. However, women in music are still disadvantaged in terms of income, inclusion and professional oppor
Autor:
Louise Devenish, Cat Hope
Contemporary notions of musical virtuosity redevelop historic concepts and demonstrate that our present understanding of virtuosity in western art music has shifted from what seemed, for a time, to be a relatively clear and stable definition. In the
Publikováno v:
Contemporary Music Review. 36:15-35
This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they tak
Autor:
Louise Devenish
Publikováno v:
University of Western Australia
To be a percussionist active in contemporary music is to be involved in research: designing new instruments and developing new techniques, commissioning and creating new work, utilising and develop...
Autor:
Louise Devenish
First emerging in North America and Europe in the late 1920s, contemporary percussion practices have transitioned from the fringes of contemporary music to the forefront over the past 90 years. In the 1960s contemporary percussion practices reached A
Autor:
Louise Devenish
Publikováno v:
Directions of New Music. :1-3