Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Louise Bourdua"'
Autor:
Louise Bourdua, Robert Gibbs
Julian Gardner's preeminent role in British studies of the art of the 13th and 14th centuries, particularly the interaction of papal and theological issues with its production and on either side of the Alps, is celebrated in these studies by his pupi
Autor:
Louise Bourdua
Publikováno v:
caa.reviews.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd7d80d85a5aa2ce736044b531b1061a
https://doi.org/10.3202/caa.reviews.2022.4
https://doi.org/10.3202/caa.reviews.2022.4
Autor:
Anne Dunlop, Louise Bourdua
The rise of the mendicant orders in the later Middle Ages coincided with rapid and dramatic shifts in the visual arts. The mendicants were prolific patrons, relying on artworks to instruct and impress their diverse lay congregations. Churches and cha
Autor:
Louise Bourdua
Publikováno v:
Sculpture Journal. 19:102-127
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4ab6dfe58267702e3814652565c87d9d
https://doi.org/10.3828/sj.2010.8
https://doi.org/10.3828/sj.2010.8
Autor:
Louise Bourdua, Sharon Gregory
Publikováno v:
Quaderni d'italianistica. 26:121-124
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::887984a5634ef60c5140357a153bef39
https://doi.org/10.33137/q.i..v26i2.9001
https://doi.org/10.33137/q.i..v26i2.9001
Autor:
Louise Bourdua
Publikováno v:
Papers of the British School at Rome. 66:177-192
DE ORIGINE ET PROGRESSU ORDINIS FRATRUM HEREMITARUM: GUARIENTO E GLI EREMITANI IN PADOVAIn un tentativo di apparire come il più antico ordine, gli eremiti agostiniani di Padova commissionarono un ciclo di affreschi nella loro cappella maggiore, che
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::64cc68690d83148b102f50908fd3cebd
https://doi.org/10.1017/s006824620000427x
https://doi.org/10.1017/s006824620000427x
Autor:
Louise Bourdua
The chapel of St James opposite that of St Anthony of Padua in the Franciscan church of that city (the Santo) is well known and unusually well documented. The function of its fresco cycle, overseen by Altichiero between 1377 and 1379, and its iconogr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::043a144134dce0e5ee6e96cdb8b4dcb1
https://doi.org/10.1163/9789004226517_014
https://doi.org/10.1163/9789004226517_014