Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Lorenzo Gennaro Bianconi"'
Presentazione della filiazione della commedia "L'ingelosite speranze" di Raffaele Tauro (Napoli 6ì1651) dalla 'comedia' "Lo cierto por lo dudoso" di Lope de Vega (1625), nonché del dramma per musica "Il Xerse" di Nicolò Minato (Venezia 1655) dalla
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::dea8195104bd4b34c4dc011b40520e8a
http://hdl.handle.net/11585/553546
http://hdl.handle.net/11585/553546
Autor:
F. Antonucci, Lorenzo Gennaro Bianconi
Studio sulle fonti letterarie classiche e moderne del principale dramma per musica italiano del sec XVII, "Giasone" di G A Cicognini. Individuazione delle fonti di Lope de Vega, finora ignorate.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a1abea55ae152d3cddddac2c922f1a20
https://doi.org/10.4324/9781315089102-12
https://doi.org/10.4324/9781315089102-12
RADAMES (Repertoriazione e Archiviazione di Documenti Attinenti al Melodramma E allo Spettacolo) is an integrated research project launched at the University of Bologna in 2001. The project arises from the idea that the multilayered structure of oper
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e5c3817a6e0935148350e26c9348cfe2
http://hdl.handle.net/11585/11819
http://hdl.handle.net/11585/11819
Publikováno v:
The American Historical Review. 104:1029
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cba0e0106b6b7f1c7b3945094addbc5f
https://doi.org/10.2307/2651169
https://doi.org/10.2307/2651169
Publikováno v:
Notes. 55:629
This study investigates the entire Italian operatic tradition, approaching opera not only as a distinctive musical genre but also as a form of extravagant theatre and as a complex social phenomenon. The text traces the social, economic and artistic h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c98f99ae170ce7a2a57082be38c7d140
https://doi.org/10.2307/900412
https://doi.org/10.2307/900412
Autor:
Frederick Hammond, Alda Bellasich, Lorenzo Gennaro Bianconi, Massimo Privitera, Girolamo Frescobaldi
Publikováno v:
Notes. 54:259
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b5030195f72ce71c206ee095a44b238f
https://doi.org/10.2307/899972
https://doi.org/10.2307/899972
Publikováno v:
Notes. 51:910
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3fe21dc0b3ea6fb2f17044c0f119a5cd
https://doi.org/10.2307/899294
https://doi.org/10.2307/899294
Publikováno v:
Notes. 47:784
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::68646998f4eaad27a024c63da7b554e4
https://doi.org/10.2307/941907
https://doi.org/10.2307/941907
Publikováno v:
Early Music History. 4:209-296
This article was first planned in 1976. It owes its existence to Pierluigi Petrobelli who, charged with organising a round table on seventeenth-century music drama for the Twelfth Congress of the International Musicological Society, Berkeley 1977, in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::55cea0095d6f7231003f8624b1a5f162
https://doi.org/10.1017/s0261127900000450
https://doi.org/10.1017/s0261127900000450