Attention, Music, Dance: Embodying the 'Cinema of Attractions'

Autor: Davinia Caddy

Publikováno v: Sound Stage Screen, Vol 1, Iss 2 (2021)

In this essay I take up the question of whether the “cinema of attractions,” as identified and analyzed by film scholars Tom Gunning and André Gaudreault, might be a useful tool for critical analysis not only of early silent film, its exhibitio

Externí odkaz: https://doaj.org/article/91448b953f694871ad4702c15d42be1c

'Fairy of Light' : Performative Ghosting and the Queer Uncanny

Autor: Farfan, Penny, author

Publikováno v: Performing Queer Modernism, 2017, ill.

Externí odkaz: https://doi.org/10.1093/oso/9780190679699.003.0003

TRACES OF LIGHT: ABSENCE AND PRESENCE IN THE WORK OF LOÏE FULLER.

Autor: Blassnigg, Martha¹ martha.blassnigg@gmail.com

Publikováno v: Leonardo. 2008, Vol. 41 Issue 5, p525-527. 3p. 1 Black and White Photograph.

Traces of Light: Absence and Presence in the Work of Loïe Fuller/Electric Salome: Loie Fuller's Performance of Modernism.

Autor: Kundanis, Barbara¹

Publikováno v: Library Journal. 9/1/2007, Vol. 132 Issue 14, p138-138. 1/4p. 1 Color Photograph.

'Chromo-culture'. Loïe Fuller's dances of nature and the energetic force of light

Autor: Ronetti, Alessandra

Publikováno v: Romantisme : la revue du dix-neuvième siècle
Romantisme : la revue du dix-neuvième siècle, Armand Colin, 2021, pp.72-83. ⟨10.3917/rom.193.0072⟩

International audience; The chromo-luminous spectacles performed on stage by the American dancer Loie Fuller since 1891 will be studied in relation to the development of nineteenth-century psychological theories on the energetic force of coloured lig

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::f6f0485caa1662070538f0110386b995
https://hal.archives-ouvertes.fr/hal-03372389