Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Liza Gennaro"'
Autor:
Liza Gennaro
The genesis of the present-day director-choreographer, starting with de Mille’s role as director-choreographer on Rodgers and Hammerstein’s ill-fated Allegro (1947), is explored. How she employed dance as a narrative and metaphorical device in su
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36355a864905338caf485105a59f1672
https://doi.org/10.1093/oso/9780190631093.003.0006
https://doi.org/10.1093/oso/9780190631093.003.0006
Autor:
Liza Gennaro
Examination of Agnes de Mille as a radical dance maker in her choreographic trifecta—Oklahoma! (1943), One Touch of Venus (1943), and Bloomer Girl (1944)—reveals an ideological shift in the production of dance on Broadway and the development of a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8701586212fd21d3eb50277ef98fd09f
https://doi.org/10.1093/oso/9780190631093.003.0004
https://doi.org/10.1093/oso/9780190631093.003.0004
Autor:
Liza Gennaro
Agnes de Mille’s dance innovations in Rodgers and Hammerstein’s groundbreaking musical Oklahoma! (1943) altered the function of dance on Broadway. This chapter will consider de Mille’s project in relation to Broadway dance in the 1930s and her
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b4f5a52bec588966480f5bc584212252
https://doi.org/10.1093/oso/9780190631093.003.0003
https://doi.org/10.1093/oso/9780190631093.003.0003
Autor:
Liza Gennaro
Musical theater dance is an ever-changing and evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists requiring dramaturgical understanding; character analys
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::29164d1c3f4b2dd3fd0abf5e668562bf
https://doi.org/10.1093/oso/9780190631093.001.0001
https://doi.org/10.1093/oso/9780190631093.001.0001
Autor:
Liza Gennaro
Acknowledging the 1980s HIV/AIDS crisis and the deaths of hundreds of would-be choreographers, this chapter explores the trauma experienced by the dance and theater communities as a defining moment in the history of Broadway dance. I examine the adve
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e9fcc55e39cdcf44be7278568705e08b
https://doi.org/10.1093/oso/9780190631093.003.0008
https://doi.org/10.1093/oso/9780190631093.003.0008
Autor:
Liza Gennaro
Jerome Robbins’ surpassing of de Mille as the primary and most influential choreographer of his period is acknowledged. His training with Gluck Sandor and actors from the Group Theatre exposed him to Constantin Stanislavski’s early acting methods
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::79dc51ae565037e6bed4506498b1cd06
https://doi.org/10.1093/oso/9780190631093.003.0005
https://doi.org/10.1093/oso/9780190631093.003.0005
Autor:
Liza Gennaro
Musical theater dance is an ever-changing, evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists and requiring dramaturgical understanding; character analy
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::827490cb8b04b6b3e2a41af0af34f8f4
https://doi.org/10.1093/oso/9780190631093.003.0009
https://doi.org/10.1093/oso/9780190631093.003.0009
Autor:
Liza Gennaro
This chapter provides an examination of how Broadway dancers were trained, the introduction of jazz dance to Broadway, the 1920s gradual move away from unison line dancing in favor of the individuated chorus, and how a few dance directors began to co
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9c58706aa06c08c8e13feb5860ca6467
https://doi.org/10.1093/oso/9780190631093.003.0002
https://doi.org/10.1093/oso/9780190631093.003.0002
Autor:
Liza Gennaro
I come to my interest in musical theater dance genetically. My father, Peter Gennaro, was a Tony Award winning choreographer and star dancer/choreographer on Broadway and television variety shows. My mother was a ballerina-turned-Broadway-dancer who
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b081b06abcd1d9c188c6efa7cad45171
https://doi.org/10.1093/oso/9780190631093.003.0001
https://doi.org/10.1093/oso/9780190631093.003.0001
Autor:
Liza Gennaro
Through in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate th