Zobrazeno 1 - 10
of 103
pro vyhledávání: '"Liza Gennaro"'
Autor:
Kevin Winkler
Publikováno v:
Studies in Musical Theatre. 16:163-166
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::710bacfd4935dd5ecdcb792ae6a8118f
https://doi.org/10.1386/smt_00099_5
https://doi.org/10.1386/smt_00099_5
Autor:
Winkler, Kevin
Publikováno v:
Studies in Musical Theatre; Jul2022, Vol. 16 Issue 2, p163-166, 4p
Publikováno v:
Stage Directions; Nov2018, Vol. 31 Issue 11, p30-30, 1/2p
Autor:
Liza Gennaro
Musical theater dance is an ever-changing and evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists requiring dramaturgical understanding; character analys
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::29164d1c3f4b2dd3fd0abf5e668562bf
https://doi.org/10.1093/oso/9780190631093.001.0001
https://doi.org/10.1093/oso/9780190631093.001.0001
Autor:
Liza Gennaro
Through in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate th
Autor:
Liza Gennaro
The genesis of the present-day director-choreographer, starting with de Mille’s role as director-choreographer on Rodgers and Hammerstein’s ill-fated Allegro (1947), is explored. How she employed dance as a narrative and metaphorical device in su
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36355a864905338caf485105a59f1672
https://doi.org/10.1093/oso/9780190631093.003.0006
https://doi.org/10.1093/oso/9780190631093.003.0006
Autor:
Liza Gennaro
Examination of Agnes de Mille as a radical dance maker in her choreographic trifecta—Oklahoma! (1943), One Touch of Venus (1943), and Bloomer Girl (1944)—reveals an ideological shift in the production of dance on Broadway and the development of a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8701586212fd21d3eb50277ef98fd09f
https://doi.org/10.1093/oso/9780190631093.003.0004
https://doi.org/10.1093/oso/9780190631093.003.0004
Autor:
Liza Gennaro
Agnes de Mille’s dance innovations in Rodgers and Hammerstein’s groundbreaking musical Oklahoma! (1943) altered the function of dance on Broadway. This chapter will consider de Mille’s project in relation to Broadway dance in the 1930s and her
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b4f5a52bec588966480f5bc584212252
https://doi.org/10.1093/oso/9780190631093.003.0003
https://doi.org/10.1093/oso/9780190631093.003.0003
Autor:
Liza Gennaro
Acknowledging the 1980s HIV/AIDS crisis and the deaths of hundreds of would-be choreographers, this chapter explores the trauma experienced by the dance and theater communities as a defining moment in the history of Broadway dance. I examine the adve
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e9fcc55e39cdcf44be7278568705e08b
https://doi.org/10.1093/oso/9780190631093.003.0008
https://doi.org/10.1093/oso/9780190631093.003.0008
Autor:
Liza Gennaro
Jerome Robbins’ surpassing of de Mille as the primary and most influential choreographer of his period is acknowledged. His training with Gluck Sandor and actors from the Group Theatre exposed him to Constantin Stanislavski’s early acting methods
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::79dc51ae565037e6bed4506498b1cd06
https://doi.org/10.1093/oso/9780190631093.003.0005
https://doi.org/10.1093/oso/9780190631093.003.0005