Zobrazeno 1 - 10
of 48
pro vyhledávání: '"Liz Tomlin"'
Autor:
Liz Tomlin
Publikováno v:
Critical Stages, Iss 2 (2010)
his article proposes that explorations of recent history in contemporary performance increasingly look to reject staged images of represented history or any recourse to visual spectacle. Instead they seek toforeground the inevitable absence of the hi
Externí odkaz:
https://doaj.org/article/467e360dd08f4f27af24c9ed24557d56
Autor:
Liz Tomlin
Publikováno v:
Journal of Contemporary Drama in English. 8:353-357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c0b314bf299ac0614e300bbecb05966e
https://doi.org/10.1515/jcde-2020-0033
https://doi.org/10.1515/jcde-2020-0033
Autor:
Liz Tomlin, Joslin McKinney
Publikováno v:
Studies in Theatre and Performance. 40:231-241
This is the introduction to the Special Issue, Artist Development: Class, Diversity and Exclusion. It offers an introduction to the Incubate Propagate research network that is the project that this...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5fb80cbc2f5d0109df217a394579acba
https://doi.org/10.1080/14682761.2020.1807215
https://doi.org/10.1080/14682761.2020.1807215
Autor:
Tomasina Stacey, Alexander Sims, Natasha Hardicre, Jon Arnold, Ruth Bender-Atik, Karen Horwood, Jacquie Torrington, Jan Fowler, Jane Arezina, Jane Fisher, Siobhan Alt, Ailith Harley-Roberts, Hannah Beety, Catriona Hynes, Sarah Bailey, Samantha Thomas, Jen Coates, G. Harrison, Alison McGuinness, Gill Yaz, Karen Todd, Katherine Watkins, Lorraine Walsh, Roxanne Sicklen, Louise D. Bryant, Lindsay Kimm, Liane Powell, Tracey Glanville, Lucy Potter, Liz Tomlin, Janelle Ramsay, Sam Collinge, Pieta Shakes, Judith Johnson, Jo Fishburn, Julian Hallett, Rebecca Trueman, Anushka Sumra
Publikováno v:
Ultrasound. 28:235-245
Background Studies indicate there is a need to improve the delivery of unexpected news via obstetric ultrasound, but there have been few advances in this area. One factor preventing improvement has been a lack of consensus regarding the appropriate p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::be87c2d75b586f5c61292d61c715083c
https://doi.org/10.1177/1742271x20935911
https://doi.org/10.1177/1742271x20935911
Political dramaturgies of affect: Anthony Neilson’s God in Ruins and The Wonderful World of Dissocia
Autor:
Liz Tomlin
Publikováno v:
Affects in 21st-Century British Theatre ISBN: 9783030584856
This chapter examines the affective dramaturgies of Anthony Neilson in order to counter claims by Hans-Thies Lehmann that the politics of affect are only operable when the aesthetic framework of theatre is ruptured by the intervention of the real. To
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0163224a321f746c124b18873b16fe48
https://eprints.gla.ac.uk/200887/3/200887.pdf
https://eprints.gla.ac.uk/200887/3/200887.pdf
Autor:
Liz Tomlin
Publikováno v:
Contemporary Theatre Review. 30:280-281
This monograph is a welcome addition to the ongoing scholarly exploration of the twenty-first-century performance practices that have become known, variously, as documentary theatres, theatres of t...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::11a98ee8a527f09e617c7b1579724f15
https://doi.org/10.1080/10486801.2020.1732653
https://doi.org/10.1080/10486801.2020.1732653
Publikováno v:
Ultrasound
Background Previous studies suggest there is a need to improve the delivery of bad and challenging news in obstetric ultrasound settings. However, no research has explored the experiences of trainee sonographers when learning how to deliver challengi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::28dd39eefe795f7697d8068a83ffd336
https://pubmed.ncbi.nlm.nih.gov/32063992
https://pubmed.ncbi.nlm.nih.gov/32063992
Autor:
Liz Tomlin
What do we mean when we describe theatre as political today? How might theatre-makers'provocations for change need to be differently designed when addressing the precarious spectator-subject of twenty- first century neoliberalism? In this important s