Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Livio Lepratto"'
Autor:
Livio Lepratto
Publikováno v:
Akademisk Kvarter, Iss 22 (2021)
In recent years, the city of Rome continues to be ‘read’ by Italian cinema as a privileged habitat for the setting of crime narratives. Some emblematic examples are such recent Italian films as Suburra (Id., Stefano Sollima, 2015), Lo chiamavano
Externí odkaz:
https://doaj.org/article/d219743d0514490c90a8ef3b94bcec60
Autor:
Livio Lepratto
Publikováno v:
Between, Vol 10, Iss 20 (2020)
Recensione del libro di Giovanna Maina, Play, Men! Un panorama della stampa italiana per adulti (1966-1975).
Externí odkaz:
https://doaj.org/article/26988cade4c5467f82fd198b5eeac973
Autor:
Livio Lepratto
Publikováno v:
Enthymema, Iss 25 (2020)
Recensione a Bertoni, Clotilde, e Chiara Lombardi (a cura di). Alberto Moravia. L’attenzione inesauribile. Mimesis, 2018.
Externí odkaz:
https://doaj.org/article/bb8d134e95744995ae7b5e23c65e448d
Autor:
Livio Lepratto
Publikováno v:
Schermi, Vol 1, Iss 1 (2017)
I concetti di “osceno” e “pornografia” sono aspetti cruciali intorno ai quali si gioca gran parte delle “battaglie” morali e ideologiche della critica cinematografica cattolica. Il presente intervento intende proporre una disamina di talu
Externí odkaz:
https://doaj.org/article/c5342bea2dd54d13b938f8816eef15f2
Autor:
Mauro Giori, Tomaso Subini, Anna Pattuzzi, Alfonso Venturini, Damiano Garofalo, Giuseppe Previtali, Dalila Missero, Fabio Pezzetti Tonion, Giovanni Memola, Livio Lepratto
Publikováno v:
Schermi, Vol 1, Iss 1 (2017)
Il volume contiene alcuni esiti delle ricerche condotte nell’ambito del progetto PRIN 2012 I cattolici e il cinema in Italia tra gli anni ’40 e gli anni ’70, coordinato dall’Università degli Studi di Milano, capitalizzando riflessioni emerse
Externí odkaz:
https://doaj.org/article/66590d97c4d24121819743f00d549180
Autor:
Livio Lepratto
Publikováno v:
Itinera, Iss 12 (2017)
This paper aims to investigate the ways in which the wine was represented in the Italian cinema, through some exemplary movies chosen from particularly representative genres: such as neorealism, the Italian comedy and authorâs cinema. Our analysis w
Externí odkaz:
https://doaj.org/article/af03f46837d1478594ad4420b6ebae0e
Autor:
Livio Lepratto
Publikováno v:
Ricerche di S/Confine, Vol 5, Iss 1, Pp 115-138 (2014)
The present study – starting from the analysis of La glace à trois faces (A three-sided mirror, 1927) by Jean Epstein and from several theoretical writings of the same filmmaker – aims to investigate the original function that the French autho
Externí odkaz:
https://doaj.org/article/9f6d1c116d624f588dc0270e2248df5b
Autor:
Livio Lepratto
Publikováno v:
Itinera, Iss 6 (2013)
Recensione: Giorgio Diritti, Un giorno devi andare, Italia/Francia, 2013.
Externí odkaz:
https://doaj.org/article/4b1a9a8528204e48aa3debbb438fa529
Autor:
Livio Lepratto
Publikováno v:
Journal of Italian Cinema & Media Studies. 11:25-40
This article will investigate aspects of a little studied but key figure in Italian cinema, Tonino Guerra, focusing on his debut as a film screenwriter. The article employs a comparative approach, relating the first poetic and narrative works of Guer
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e6e734288972f5301a1f28855a722884
https://doi.org/10.1386/jicms_00155_1
https://doi.org/10.1386/jicms_00155_1
Autor:
Livio Lepratto
Publikováno v:
Journal of Italian Cinema & Media Studies. 10:215-231
This article investigates the fruitful cultural and artistic partnership between Cesare Zavattini and Gabriel García Márquez, starting from the course in directing taught in the 1950s at the Centro Sperimentale di Cinematografia (Experimental Schoo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ba3ce52cc852cd0b74b95e4898a1de8d
https://doi.org/10.1386/jicms_00123_1
https://doi.org/10.1386/jicms_00123_1