Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Liudmila P. Kazantseva"'
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :154-166
The article poses the question, how the “Russian element” is viewed by composers who belong to other national cultures. We are able to judge about this by a convincing number of works written on the “Russian theme.” The “Russian element”
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c4bdcd0210d82b4c029f946772a506e
https://doi.org/10.33779/2587-6341.2021.3.154-166
https://doi.org/10.33779/2587-6341.2021.3.154-166
Publikováno v:
ICONI. :68-83
The published material opens with a cycle of lectures titled “Musical Intonation.” The first of them illuminates such theoretical issues as the concept of intonation, the means of its sound design (the constructive — the motive, phrase, consona
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::279a8f4eafdfdfa04d4429d2296413b6
https://doi.org/10.33779/2658-4824.2021.3.068-083
https://doi.org/10.33779/2658-4824.2021.3.068-083
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :205-215
As the result of systematic analysis of the romantic of the two branches ballad genre, the taboo and the national-historical ones, their affinity (their narrative qualities, dramatic substance and incorporation of the fantastic element) and the indiv
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8107cab71e166ab71d51cd5f1185bc22
https://doi.org/10.17674/1997-0854.2019.4.205-215
https://doi.org/10.17674/1997-0854.2019.4.205-215
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :106-114
The article examines the particular features of the manifestation of the novelette The Death of Ivan Ilyich by the great Russian classic Leo Tolstoy in the composition of distinctive British composer John Tavener. The motive for posing this question
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8d79472f50edb510d8b748e4a0beef39
https://doi.org/10.17674/1997-0854.2019.1.106-114
https://doi.org/10.17674/1997-0854.2019.1.106-114
Publikováno v:
Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020).
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6334d38c64837308569c95603bdff4a6
https://doi.org/10.2991/assehr.k.200316.108
https://doi.org/10.2991/assehr.k.200316.108
Autor:
Liudmila P. Kazantseva
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :78-83
Present-day perceptions of semantic connotations of tonality rely for the most part on the metaphoricity of meanings, the reason of which is rightfully found in the mechanism of building associations. However, it would be too simple to explain such a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5fc88e81df316095d0e77c6945635fd8
https://doi.org/10.17674/1997-0854.2017.4.078-083
https://doi.org/10.17674/1997-0854.2017.4.078-083
Autor:
Liudmila P. Kazantseva
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :6-12
The concept of musical intonation has been interpreted in musicology rather ambivalently. Russian scholarship has made productive use of it, following Boris Asafiev, who has become noteworthy for indicating the smallest imagesemantic element in music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1793e1187491384aa186c6b5e6dadad3
https://doi.org/10.17674/1997-0854.2016.4.006-012
https://doi.org/10.17674/1997-0854.2016.4.006-012
Autor:
Liudmila P. Kazantseva
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :6-12
The musicological concept of melody, notwithstanding all its capacity and self-sufficiency, is closely connected with another key concept – that of “intonation.” This is testified by the constantly perceptible agility of substituting one of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb24cda541669186842ab102e9e0d009
https://doi.org/10.17674/1997-0854.2016.1.006-012
https://doi.org/10.17674/1997-0854.2016.1.006-012
Autor:
Liudmila P. Kazantseva
Publikováno v:
Music Scholarship / Problemy Muzykal'noj Nauki. :63-72
В статье предпринят сравнительный анализ групп живописных и музыкальных произведений Микалоюса Константинаса Чюрлёниса на одну тему (
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2142e8190c299837bbd49c10024f7c7b
https://doi.org/10.17674/1997-0854.2015.3.063-072
https://doi.org/10.17674/1997-0854.2015.3.063-072