Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Lisa Jakelski"'
Autor:
Lisa Jakelski
Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this
Autor:
Lisa Jakelski
Publikováno v:
Rethinking Modern Polish Identities ISBN: 9781800108592
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::28f7cf7ddc84708b4cbc02319fc232b0
https://doi.org/10.2307/j.ctv2nv8nq3.17
https://doi.org/10.2307/j.ctv2nv8nq3.17
Autor:
Lisa Jakelski
The Warsaw Autumn International Festival of Contemporary Music (WarszawskaJesień) is one of Europe’s longest-running festivals of contemporary music. With two exceptions (1957 and 1982), the festival has taken place annually since 1956. During the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5c62fbf1be992b2480fa72ae1aca55f1
https://doi.org/10.4324/9781135000356-rem45-1
https://doi.org/10.4324/9781135000356-rem45-1
Autor:
Lisa Jakelski
Publikováno v:
Lutosławskis Worlds
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3c226450f3818c0ec8c4c1dff37ba0f6
https://doi.org/10.1017/9781787442214.014
https://doi.org/10.1017/9781787442214.014
Autor:
Lisa Jakelski
Publikováno v:
East European Politics and Societies: and Cultures. 29:189-211
This article examines how the Warsaw Autumn International Festival of Contemporary Music facilitated mobility across socialist borders in the 1960s. The Warsaw Autumn was one of the most important zones of cross-border cultural contact during the Col
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d064b91ede1c6017825a71c204ee7958
https://doi.org/10.1177/0888325414540935
https://doi.org/10.1177/0888325414540935
Autor:
Lisa Jakelski, Nicholas Reyland
Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.Witold Lutoslawski (1913-1994) wa
Autor:
Lisa Jakelski
The introduction presents the book’s primary themes and concepts: music and the Cold War, the roles institutions and networks have played in shaping musical practices, Stephen Greenblatt’s model of cultural mobility, and Howard Becker’s model o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bfa8d0f979cd8ee8fe8ae97c8da644a6
https://doi.org/10.1525/california/9780520292543.003.0001
https://doi.org/10.1525/california/9780520292543.003.0001
Autor:
Lisa Jakelski
The epilogue begins with a concise overview of the aesthetic, political, and economic shifts that have affected the festival since 1968. It then considers how “new music” is being defined and disseminated at the Warsaw Autumn today. The epilogue
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::408b0ef43fe7f80916b7ef175ef3c563
https://doi.org/10.1525/california/9780520292543.003.0008
https://doi.org/10.1525/california/9780520292543.003.0008
Autor:
Lisa Jakelski
By way of a case study of the 1968 Warsaw Autumn/ISCM Festival, chapter 6 revisits the question of what it meant for a music institution in socialist Poland to be international as well as contemporary. The chapter shows that transnational bonds were
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::31ff9e577d21378351e550d1fae978ba
https://doi.org/10.1525/california/9780520292543.003.0007
https://doi.org/10.1525/california/9780520292543.003.0007