Zobrazeno 1 - 10
of 85
pro vyhledávání: '"Lisa Åkervall"'
Autor:
Brodski, Michael
In ihrer Studie Kinematographische Affekte. Die Transformation der Kinoerfahrung verwendet Lisa Åkervall den titelimmanenten Begriff der Transformation als epistemologische Schnittstelle zwischen zwei in der gegenwärtigen Film- und Medienwissenscha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f4210971a87d2459cbcb3d1d910cc7e4
https://rezenstfm.univie.ac.at/index.php/tfm/article/download/2820/4961
https://rezenstfm.univie.ac.at/index.php/tfm/article/download/2820/4961
Autor:
Lisa Åkervall
Publikováno v:
Deleuze and Guattari Studies. 15:571-592
This essay offers a critical rejoinder to affect theories prevalent in the humanities since the 1990s. In film and media studies, affect theories display an opposition to ‘screen’ and apparatus theory of the 1970s and 1980s alleged to have margin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8856e66b29d34b3d3e53aae9a3b71e9c
https://doi.org/10.3366/dlgs.2021.0458
https://doi.org/10.3366/dlgs.2021.0458
Autor:
Lisa Åkervall
Publikováno v:
NECSUS, Vol 4, Iss 1, Pp 279-286 (2015)
Externí odkaz:
https://doaj.org/article/e55b47c51c92429d9e9367d2b7dadc68
Autor:
Lisa Åkervall
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 36:65-97
This essay takes the auto-tuned viral video “Can't Hug Every Cat” as a point of entry for a broader analysis of how modulation decisively shapes politics, aesthetics, and gendering in contemporary digital ecologies. It uncovers how the exaggerate
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::04396f9848cd36f08060e6639a730100
https://doi.org/10.1215/02705346-9052802
https://doi.org/10.1215/02705346-9052802
Autor:
Lisa Åkervall
Publikováno v:
Theorizing Film Through Contemporary Art
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5cb1796517c7213ee10c943bc071ce20
https://doi.org/10.1515/9789048542024-016
https://doi.org/10.1515/9789048542024-016
Autor:
Lisa Åkervall
Publikováno v:
Theorizing Film Through Contemporary Art ISBN: 9789048542024
What becomes of the frame in an era of post-cinema? This chapter explores that question and possible answers as suggested by two exemplary post-cinematic moving-image works, Camille Henrot’s single-channel video installation Grosse Fatigue (2013) a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::66c5f4181022320d9d4ea43f920485f1
https://doi.org/10.2307/j.ctv17ppcz8.18
https://doi.org/10.2307/j.ctv17ppcz8.18
Autor:
Jill Murphy, Laura Rascaroli, Lisa Åkervall, Stefano Baschiera, Alison Butler, Maeve Connolly, Sarah Cooper, Matilde Nardelli, Kirstie North, Volker Pantenburg, Ágnes Pethő, D.N. Rodowick, Andrew Uroskie, Luís Recoder, Sandra Gibson
As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. H
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e10f7fb44dcbb8669161e62c330d227f
https://doi.org/10.5117/9789462989467
https://doi.org/10.5117/9789462989467
Autor:
Lisa Åkervall
Was sind kinematographische Affekte? Welche Rolle spielen sie in der Kinoerfahrung? Und was haben sie mit Transformation zu tun? Kinematographische Affekte sind Auslöser von Transformationen. Lisa Åkervall skizziert vor der Folie einer doppelten Lo
Autor:
Lisa Åkervall
Publikováno v:
Screen. 59:132-136
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9ddae58e7798cc36c54f1fc15b126acf
https://doi.org/10.1093/screen/hjy008
https://doi.org/10.1093/screen/hjy008