Zobrazeno 1 - 10
of 147
pro vyhledávání: '"Line Cottegnies"'
Autor:
Line Cottegnies
Publikováno v:
Journal of Marlowe Studies, Vol 4, Pp 151-173 (2024)
The collaborative nature of 1 Henry VI has long been accepted, like the identity of Christopher Marlowe as one of the play’s authors. This article does not engage with the question of authorship as such, but interrogates Marlowe’s possible involv
Externí odkaz:
https://doaj.org/article/c6951ff4408b40b99f04480c8e494b33
Autor:
Line Cottegnies
Publikováno v:
Etudes Epistémè, Vol 42 (2022)
From Philip Sidney’s The Countess of Pembroke's Arcadia (1590) to the pastoral works of Lady Mary Wroth and the craze for pastoral drama and masques at the court of Henrietta-Maria, English pastoral genres between the end of the sixteenth and the m
Externí odkaz:
https://doaj.org/article/d6c60d1384c7404f964d9419e23e04a0
Autor:
Line Cottegnies
Publikováno v:
Etudes Epistémè, Vol 41 (2022)
When Aphra Behn translated Le Voyage de l’Île d’amour de Paul Tallemant (1663) and Balthazar de Bonnecorse’s La Montre (1666), respectively in 1684 and 1686, she was adapting for an English readership a model of “gallant” literature steepe
Externí odkaz:
https://doaj.org/article/002b2fbbcfdc476bb9e5682b33ff9abb
Publikováno v:
Sillages Critiques, Vol 31 (2022)
This note recalls the aims of the project entitled « Clio on Stage : Making History – Immediate History on the British Stage », based at Sorbonne Université between 2019 and 2021. The project proceeds from the remark that both early modern theat
Externí odkaz:
https://doaj.org/article/6669294ea7b64514b0e8a1a42c99458d
Autor:
Line Cottegnies
Publikováno v:
Sillages Critiques, Vol 31 (2022)
This article deals with how Shakespeare can be used as a matrix, either accommodating or problematic, to shape past or present events into a historical perspective on the contemporary stage, and looks at two plays that are explicit adaptations of Mac
Externí odkaz:
https://doaj.org/article/45e5eaaba17c46d886c7c7c20264fc74
Publikováno v:
Sillages Critiques, Vol 31 (2022)
Externí odkaz:
https://doaj.org/article/ac9085c971084e529e7264dfe3671c44
Autor:
Line Cottegnies
Publikováno v:
Etudes Epistémè, Vol 39 (2021)
In seventeenth-century France (dominated by the phenomenon of « galanterie »), life at court and in the salons is characterized by a culture of playful conversation, which is encouraged by the influence of préciosité. This oral playful culture tr
Externí odkaz:
https://doaj.org/article/aca73c9f19224cb9bcf35fff1672222c
Autor:
Line Cottegnies, Louise Fang
Publikováno v:
Etudes Epistémè, Vol 39 (2021)
Far from being a purely incidental aspect of daily life in the sixteenth and seventeenth centuries, gambling and games of chance sparked heated controversies on both sides of the Channel throughout the period. The engagement of these activities with
Externí odkaz:
https://doaj.org/article/3f75099324cf4950afda7c9c53aaaed8
Autor:
Line Cottegnies
Publikováno v:
Sillages Critiques, Vol 26 (2019)
The Duchess of Malfi teems with images of dismembered bodies which form the basis of Webster’s specific macabre poetics. The play is haunted by body parts, at the levels of both plot and imagery. This peculiar aesthetics can be seen as a symptom of
Externí odkaz:
https://doaj.org/article/8b9bd3fe576044adae739e9c364db438
Publikováno v:
Sillages Critiques, Vol 26 (2019)
A Conversation between Line Cottegnies, Guillaume Séverac-Schmitz, director and head of the company Eudaimonia, and Clément Camar-Mercier, translator and dramaturg, about the production of The Duchess of Malfi, which opens at the Cratère Scène na
Externí odkaz:
https://doaj.org/article/a28b9cf13473403982e8ea50f5644bad