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pro vyhledávání: '"Lindsay Kelley"'
Autor:
Lindsay Kelley
What do new technologies taste like? A growing number of contemporary artists are working with food, live materials and scientific processes, in order to explore and challenge the ways in which manipulation of biological materials informs our cooking
Autor:
Lindsay Kelley
Publikováno v:
Continuum. 36:763-775
Autor:
Lindsay Kelley
Publikováno v:
Catalyst: Feminism, Theory, Technoscience. 9
Baked for Anzac Day in April but eaten all year, Anzac biscuits memorialize the Australian and New Zealand Army Corps (ANZAC) participation in the Gallipoli Campaign during World War I. The chemical and culinary capacities of one of the biscuit’s k
Autor:
Lindsay Kelley
Publikováno v:
Food in Memory and Imagination. :239-252
Autor:
Lindsay Kelley
Publikováno v:
Thinking with Soils. :191-210
Autor:
Lindsay Kelley
Publikováno v:
Tranimacies ISBN: 9781003099130
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::76bbb3a1358e81660f84dad037beb1f3
https://doi.org/10.4324/9781003099130-12
https://doi.org/10.4324/9781003099130-12
Autor:
Lindsay Kelley
An exploration of food, ingestion, and digestion in the emerging field of the metabolic arts.Food appears everywhere in the arts. But what happens after viewers carry food away in the intestinal networks activated by social practice art, the same way
Autor:
Lindsay Kelley
Publikováno v:
Environmental Humanities. 9:230-254
One of the late Beatriz da Costa’s last projects, Dying for the Other (2011), presents three channels of video footage from testing environments, including laboratories, hospitals, kitchens, and living rooms offset by pink mice wriggling in their c
Autor:
Lindsay Kelley
Publikováno v:
Angelaki. 22:97-109
The prefix “trans-” surrounds “animal” with a pluralizing effect: tranimals. This portmanteau word describes creatures at once real and imagined who traverse taxonomic categories. This essay considers two of many threads of trananimality: the