Zobrazeno 1 - 10
of 46
pro vyhledávání: '"Linda Freedman"'
Autor:
Linda Freedman
Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her p
Autor:
Linda Freedman
Publikováno v:
The Review of English Studies. 73:401-403
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fc73d51a9829ccef4dcb4dd613eba993
https://doi.org/10.1093/res/hgab099
https://doi.org/10.1093/res/hgab099
Autor:
Linda Freedman
Publikováno v:
Literature and Theology. 34:19-40
This article reads several of Dickinson’s Old Testament poems in a way that suggests her exegesis was not just concerned with epistemic limit, as scholarship to date has emphasised, but also with the ontological effects of biblical narrative and in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::31300b354d4c786b5db1b670d4c213d5
https://doi.org/10.1093/litthe/frz038
https://doi.org/10.1093/litthe/frz038
Autor:
Linda Freedman
Publikováno v:
William Blake in Context
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c8a3c82e69c949d2fd2d5e2501346399
https://doi.org/10.1017/9781316534946.026
https://doi.org/10.1017/9781316534946.026
Autor:
Linda Freedman
Publikováno v:
Oxford Scholarship
For Allen Ginsberg, Blake was more than a poetic influence, he was a spiritual forefather. Blake played an integral role in Ginsberg’s relentless self-fashioning and Ginsberg repeatedly turned to Blake in his search for poetic and social freedoms.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c82d44bb1f309a9910480890e46f5f8e
https://doi.org/10.1093/oso/9780198813279.003.0005
https://doi.org/10.1093/oso/9780198813279.003.0005
Autor:
Linda Freedman
Publikováno v:
Oxford Scholarship
In the early decades of the twentieth century, the reception of Blake as a Whitmanesque prophet–artist became even more closely entwined with literary visions of America. The mysticism and occultism of the Yeats–Ellis edition helped shape the new
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f35fe56e356a7e516b776a7b9249ddb7
https://doi.org/10.1093/oso/9780198813279.003.0004
https://doi.org/10.1093/oso/9780198813279.003.0004
Autor:
Linda Freedman
When Blake titled his two great American works with the words ‘Visions’ and ‘Prophecy’, he invested the new world with the spiritual and imaginative significance of his favourite artistic forms. The recent battle for independence had revived
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::deb1df494ebf4320e28a37fc01499419
https://doi.org/10.1093/oso/9780198813279.003.0012
https://doi.org/10.1093/oso/9780198813279.003.0012
Autor:
Linda Freedman
Publikováno v:
Oxford Scholarship
Saul Bellow’s interest in Blake provides a counterpoint to Blake’s standing in psychedelic counterculture. Bellow despised what he perceived to be the thoughtless sham Romanticism of contemporary youth. For Bellow, as for Blake, imaginative thoug
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b32f953f3e036b2336d06515f6f1834c
https://doi.org/10.1093/oso/9780198813279.003.0010
https://doi.org/10.1093/oso/9780198813279.003.0010
Autor:
Linda Freedman
Publikováno v:
Oxford Scholarship
As Blake had espoused horror at rebellious spirit turned to murderous bloodshed, so the sounds of the sixties often reflected disillusionment with organized revolution, believing real change came from within. Bob Dylan, Ed Sanders, and Patti Smith so
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9669bac0c154af23cbc6ef6986fa1752
https://doi.org/10.1093/oso/9780198813279.003.0008
https://doi.org/10.1093/oso/9780198813279.003.0008
Autor:
Linda Freedman
The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s la
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e291d8f5209a0b5169c0682311e47990
https://doi.org/10.1093/oso/9780198813279.003.0011
https://doi.org/10.1093/oso/9780198813279.003.0011