Zobrazeno 1 - 10
of 112
pro vyhledávání: '"Liliane Louvel"'
Autor:
Liliane Louvel
Publikováno v:
Études Britanniques Contemporaines, Vol 65 (2023)
In How to Be Both, Ali Smith follows John Berger’s philosophical and political conceptions of art. Understanding the world through ways of seeing may be a factor of change. Furthermore, Berger advocates the refusal of hierarchy, authority and binar
Externí odkaz:
https://doaj.org/article/90e4cff708fa4bd888b48841302fcbb3
Autor:
Liliane Louvel
Publikováno v:
Interfaces, Vol 45 (2021)
For Stanley Spencer formatting was always linked to his own « inner vision » and inspiration. It reveals a kind of anachronistic taste for series, triptychs and long narrow formats allowing him to paint narrative sequences with figures. Deeply insp
Externí odkaz:
https://doaj.org/article/c5d3fc51e79849b98517279eef8bfd50
Autor:
Liliane Louvel
Publikováno v:
Interfaces, Vol 37, Pp 117-128 (2016)
Externí odkaz:
https://doaj.org/article/bc9036d03f5a44929eda154af2c03b4d
Autor:
Liliane Louvel
Publikováno v:
Caliban: French Journal of English Studies, Vol 53, Pp 39-51 (2015)
This paper will try to show how the book purports to be digging for the past, aiming at uncovering and recovering trauma, both collective and individual, thanks to recapturing the past for a character, for a reader, for a nation. The Wars, a novel by
Externí odkaz:
https://doaj.org/article/3092f3bc519e499abde1c828511057ef
Autor:
Liliane Louvel
Publikováno v:
Sillages Critiques, Vol 21 (2016)
The word/image relationship, now often thought of as an intermedial feature, is a paradoxical plastic object. It is a kind of apparatus which triggers a “reading event”, provokes the phenomenon of “double exposure” and creates a “double fic
Externí odkaz:
https://doaj.org/article/f9fb1df9fe7444bdaffacc0f1bfbb6ee
Autor:
Liliane Louvel
Publikováno v:
Études Britanniques Contemporaines, Vol 43, Pp 179-194 (2012)
The intermedial reading of Anita Brookner’s The Next Big Thing thanks to the aesthetic category of the memento mori is particularly fruitful as far as ruins are concerned. Memento mori si a very ‘particular’ kind of still life, it is also the e
Externí odkaz:
https://doaj.org/article/4e01f63690734667b9963eae01bd2dbf
Autor:
Liliane Louvel
Publikováno v:
Études Britanniques Contemporaines, Vol 49 (2015)
Externí odkaz:
https://doaj.org/article/6fdeb67117b54f77849d99dc6f89d0ab
Autor:
Liliane Louvel
Publikováno v:
Études Britanniques Contemporaines, Vol 35 (2009)
Externí odkaz:
https://doaj.org/article/b0c29f53f0c94682b645d1e73cd2efb3
Autor:
Liliane Louvel
Publikováno v:
Études Britanniques Contemporaines, Vol 31 (2006)
This paper aims at offering a brief survey of the relationships between word and image, language and the visual. If no image can do without discourse, conversely, language is imbued with the visual. If the two representing systems cannot be conflated
Externí odkaz:
https://doaj.org/article/fd2c64ad72694f0b8a44b53911a29aa7
Autor:
Liliane Louvel
Publikováno v:
Études Britanniques Contemporaines (2005)
The issue of the visual, of the interrelationship between language/literature and painting appears to be central to Woolf’s aesthetic interrogation. She tried to find a satisfying solution to the inter-art dialogue but it was to no avail. She const
Externí odkaz:
https://doaj.org/article/af027942179f45498d9fbb3bac2c950d