Zobrazeno 1 - 10
of 24
pro vyhledávání: '"Levon Hakobian"'
Autor:
Levon Hakobian
Publikováno v:
Arts, Vol 13, Iss 1, p 6 (2023)
The term ‘musicalization’ comes from Aldous Huxley’s novel Point Counter Point where it denotes the use of music-derived models in fiction. The oeuvre of Russian writer Daniil Kharms (1905–1942) provides telling examples of such an approach t
Externí odkaz:
https://doaj.org/article/fbff1708380843e4a5fc49cfb425deec
Autor:
Levon Hakobian
Publikováno v:
Musica Docta, Vol 5, Iss 1, Pp 19-28 (2015)
The core of the history of musical thought consists of large-scale doctrines striving to explain the multitude of observed phenomena in terms of immutable categories and universals. All such doctrines are based on the belief of their authors that all
Externí odkaz:
https://doaj.org/article/d92d5993607e4b16b80d21cda1882fba
Autor:
Levon Hakobian
Publikováno v:
Shostakovich and His World
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f037e783f35c6411d68d4583e8c9ec7c
https://doi.org/10.2307/j.ctv1j6677t.11
https://doi.org/10.2307/j.ctv1j6677t.11
Autor:
Levon Hakobian
Publikováno v:
A Shostakovich Casebook
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1ac0fbe9bfc7044a05e2bc09fcd6f2e6
https://doi.org/10.2307/j.ctv11hptp2.20
https://doi.org/10.2307/j.ctv11hptp2.20
Autor:
Levon Hakobian
Publikováno v:
A Shostakovich Casebook
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c782a7102801e90a172e2298ee27001f
https://doi.org/10.2307/j.ctv11hptp2.21
https://doi.org/10.2307/j.ctv11hptp2.21
Autor:
Levon Hakobian
This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this consi
Autor:
Levon Hakobian
Publikováno v:
British Academy
This chapter deals with the history of Soviet music’s relations with the outside world from the mid-1920s until the end of the millennium. During all these decades the Soviet musical production of any coloration was perceived by the free Western wo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e26f6515b6a27519904955901023ea9
https://doi.org/10.5871/bacad/9780197266151.003.0004
https://doi.org/10.5871/bacad/9780197266151.003.0004
Autor:
Levon Hakobian
Publikováno v:
Music of the Soviet Era: 1917–1991
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f4c409d51b8b3401facf70bf29bb5a1a
https://doi.org/10.4324/9781315596822-10
https://doi.org/10.4324/9781315596822-10
Autor:
Levon Hakobian
Publikováno v:
Music of the Soviet Era: 1917–1991
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5f3dca5af824ef66412d321f3869caee
https://doi.org/10.4324/9781315596822-1
https://doi.org/10.4324/9781315596822-1