Zobrazeno 1 - 10
of 186
pro vyhledávání: '"Leonora Saavedra"'
Autor:
John Koegel
Publikováno v:
Journal of the American Musicological Society. 72:266-277
Los libros de polifonia de la Catedral de Mexico: Estudio y catalogo critico , by Javier Marin Lopez. 2 vols. Jaen: Servicio de Publicaciones, Universidad de Jaen; Madrid: Sociedad Espanola de Musicologia, 2012. xxiii, 1278 pp. Los papeles para Euter
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d0d93223f7751b7c3a8ed9d237cc65a2
https://doi.org/10.1525/jams.2019.72.1.266
https://doi.org/10.1525/jams.2019.72.1.266
Autor:
Alonso-Minutti, Ana R., author
Publikováno v:
Mario Lavista : Mirrors of Sounds, 2023, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190212728.003.0004
Autor:
Koegel, John
Publikováno v:
Journal of the American Musicological Society; April 2019, Vol. 72 Issue: 1 p266-277, 12p
Autor:
Leonora Saavedra
Publikováno v:
Historia Mexicana El Colegio de México, Vol 70, Iss 4 (2021)
Redes (1934-1935), película mexicana ideada y filmada por el fotógrafo modernista Paul Strand, es reconocida como obra fundamental –panfletaria para algunos– del cine mexicano. Entre músicos se le conoce por la música que para la banda sonora
Externí odkaz:
https://doaj.org/article/0fd3b6959c374b15977960471dabed7b
Autor:
Leonora Saavedra
Publikováno v:
Resonancias, Vol 18, Iss 35, Pp 79-100 (2014)
Taking as a point of departure theories developed in the social sciences that suggest that nationalist movements engender nations, nationalist art is defined not as that which expresses the national essence, but rather as that which effectively contr
Externí odkaz:
https://doaj.org/article/0beb0da12b4545839acae35590d0fc4c
Autor:
Leonora Saavedra
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging mus
Autor:
Leonora Saavedra
Publikováno v:
Journal of the American Musicological Society. 68:99-150
The critical discourse on Carlos Chávez’s music is full of contradictions regarding the presence within it of signifiers of the Mexican, the pre-Columbian, and the indigenous. Between 1918 and 1928 Chávez in fact developed, from stylistic prefere
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7b22155d450d5747c9aa36ac6c3374b0
https://doi.org/10.1525/jams.2015.68.1.99
https://doi.org/10.1525/jams.2015.68.1.99
Autor:
Leonora Saavedra
Publikováno v:
Journal of Musicological Research. 31:231-261
Mexican composer Ernesto Elorduy (1853–1913), an upper-class white male with extensive knowledge of European culture and yet a member of a former colonial nation, wrote a number of orientalist compositions—including the zarzuela Zulema (on a Turk
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::49ef3135c4f94c685a430a380527a628
https://doi.org/10.1080/01411896.2012.721334
https://doi.org/10.1080/01411896.2012.721334
Autor:
Leonora Saavedra
Publikováno v:
The Musical Quarterly. 92:279-328
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a7b461395337dd447f55b4a7cfa52fc5
https://doi.org/10.1093/musqtl/gdp017
https://doi.org/10.1093/musqtl/gdp017