Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Lelio Camilleri"'
Publikováno v:
Studies in Digital Heritage, Vol 2, Iss 1 (2019)
“In the mirror of the Wonder of Luca Giordano” was a multi-sensorial experience created in the gallery frescoed by Luca Giordano in Palazzo Medici Riccardi, in Florence; the project involved different disciplines and researchers. The entire exper
Externí odkaz:
https://doaj.org/article/8fd8be6bd22e4c86bfca008c54573397
Autor:
Lelio Camilleri
Le esperienze storiche della musica elettroacustica, nate alla fine degli anni Quaranta, hanno prodotto uno sviluppo delle tecniche e del discorso musicale non solo nell'ambito della musica contemporanea classica, ma anche in tutti i generi che usano
Publikováno v:
Studies in Digital Heritage, Vol 2, Iss 1 (2019)
“In the mirror of the Wonder of Luca Giordano” was a multi-sensorial experience created in the gallery frescoed by Luca Giordano in Palazzo Medici Riccardi, in Florence; the project involved different disciplines and researchers. The entire exper
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::824e48dd39b6901f1515229f398fa834
http://hdl.handle.net/2158/1149161
http://hdl.handle.net/2158/1149161
Autor:
Lelio Camilleri
Abbey road è l'ultimo vero lavoro discografico dei Beatles, dato che let it be – benché pubblicato successivamente – fu registrato in precedenza. A 50 anni dalla sua uscita, abbey road rimane un disco innovativo e importante dal punto di vista
Autor:
Lelio Camilleri
Publikováno v:
Popular Music. 29:199-211
The recorded format is the medium through which popular music is diffused. Since the advent of multi-track recording, the studio has become a compositional tool in which musical ideas are formed into sounding matter. Direct access to the manipulation
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b36e82a18175d37ce697a0b3245f2895
https://doi.org/10.1017/s0261143010000036
https://doi.org/10.1017/s0261143010000036
Autor:
Tiziana Atzori, Antonello Grippo, Giampiero Cicalini, Lelio Camilleri, Alessandro Toccafondi, Andrea Bonacchi, Francesca Chiesi, Perla Gianni Falvo
Publikováno v:
VSMM
The first private chapel for which the Pope granted permission in the middle of the fifteenth century, in Palazzo Medici in Florence, frescoed with the Procession of the Magi by Benozzo Gozzoli, has recently become the setting for an experience of gu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::378dc33b235161534d30653fd50a7017
https://doi.org/10.1109/vsmm.2014.7136677
https://doi.org/10.1109/vsmm.2014.7136677
Autor:
Denis Smalley, Lelio Camilleri
Publikováno v:
Journal of New Music Research. 27:3-12
(1998). The analysis of electroacoustic music: Introduction. Journal of New Music Research: Vol. 27, Analysis of Electroacoustic Music, pp. 3-12.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0d4622b6f69fd4ecb3905b393a7d350a
https://doi.org/10.1080/09298219808570737
https://doi.org/10.1080/09298219808570737
Publikováno v:
Interface. 19:147-154
The development of an expert system for the study of musical segmentation aims to create an analysis environment as well as to test and improve the content of existing theory, including the verification of the possibility of an integration of differe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9a45f504b5275449ce73e03910a546d9
https://doi.org/10.1080/09298219008570562
https://doi.org/10.1080/09298219008570562
Autor:
Lelio Camilleri
Publikováno v:
Minds and Machines. 2:325-327
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7013785b0baeaf6a30d013bd9907aae3
https://doi.org/10.1007/bf00419416
https://doi.org/10.1007/bf00419416
Autor:
Eleanor Selfridge-Field, Mira Balaban, Kemal Ebcioglu, Otto Laske, Andranick S. Tanguiane, Lelio Camilleri
Publikováno v:
Notes. 51:168
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8599b41fd05d907ea675b494687617e1
https://doi.org/10.2307/899218
https://doi.org/10.2307/899218