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pro vyhledávání: '"Leah Mirakhor"'
Autor:
Leah Mirakhor
Publikováno v:
James Baldwin Review, Vol 5, Iss 0, Pp 160-177 (2019)
Leah Mirakhor1 View Less 1 Yale University “Oceans of Love” A Review of Hilton Als’ God Made My Face: A Collective Portrait of James Baldwin in James Baldwin Review DOI: https://doi.org/10.7227/JBR.5.11 Online publication date: 01 Sep 20
Externí odkaz:
https://doaj.org/article/04c41836a0df402a9e4d5b859521f2fd
Autor:
Leah Mirakhor
Publikováno v:
James Baldwin Review, Vol 3, Iss 1, Pp 203-216 (2017)
I Am Not Your Negro (2016) takes its direction from the notes for a book entitled “Remember this House” that James Baldwin left unfinished, a book about his three friends—Medgar Evers, Malcolm X, and Martin Luther King Jr.— their murders, and
Externí odkaz:
https://doaj.org/article/669c4f70399d48c5b57dfbd7e98871c6
Autor:
Leah Mirakhor
Publikováno v:
James Baldwin Review. 5:160-177
This essay reviews Hilton Als’ 2019 exhibition God Made My Face: A Collective Portrait of James Baldwin at the David Zwirner Gallery. The show visually displays Baldwin in two parts: “A Walker in the City” examines his biography and “Colonial
Autor:
Leah Mirakhor
Publikováno v:
The Yale Review. 106:137-151
Autor:
Leah Mirakhor
Publikováno v:
James Baldwin in Context
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8dcc11a6f0f43e454eac3cc85b13eb59
https://doi.org/10.1017/9781108636025.010
https://doi.org/10.1017/9781108636025.010
Autor:
Leah Mirakhor
Publikováno v:
Studies in American Jewish Literature (1981-). 35:52-76
The essay examines the sometimes synchronistic relationships in Iranian Jewish American literature between reading practices, aesthetics, and politics from the Iran hostage crisis to the War on Terror. As such, Mirakhor describes key features of this
Autor:
Leah Mirakhor
Publikováno v:
African American Review. 46:653-670
Reading James Baldwin’s selected writings alongside the works of the photographer of the American West, Robert Adams, this essay examines the critiques of whiteness, the American Dream, and mass consumerism in the postwar era. By engaging Baldwin