Zobrazeno 1 - 10 of 31 pro vyhledávání: '"Leah D. Hewitt"'
1
Akademický článek
From War Films to Films on War: Gendered Scenarios of National Identity—The Case of The Last Metro
Autor: Leah D. Hewitt
Publikováno v: Studies in 20th & 21st Century Literature, Vol 26, Iss 1 (2002)
If France's ongoing struggle for self-definition in the late twentieth century involved new conceptions of citizenship and nationality, in short what it means to be French, this struggle also entailed the search for an accurate portrayal of a past in
Externí odkaz: https://doaj.org/article/9c39e2aeeb0e4045bba7d341526ed4ef
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2
Akademický článek
Inventing Antillean Narrative: Maryse Condé and Literary Tradition
Autor: Leah D. Hewitt
Publikováno v: Studies in 20th & 21st Century Literature, Vol 17, Iss 1 (1993)
As a Guadeloupean black woman novelist, Maryse Condé highlights the tensions in Caribbean culture between traditional and modern values, among ethnic groups, and between the sexes. She combines a representative view of an Antillean writer's specific
Externí odkaz: https://doaj.org/article/c09b72bd7353415390e5cab09a9c6775
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4
Akademický článek
An Interview with Maryse Conde: Is 'I' Still Another?
Autor: Hewitt, Leah D., Leah D. Hewitt
Publikováno v: Sites: Journal of the Twentieth-Century/Contemporary French Studies. Fall97, Vol. 1 Issue 2, p542. 7p. 1 Black and White Photograph.
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7
Identity Politics in Films of the 1970s
Autor: Leah D. Hewitt
Publikováno v: Remembering the Occupation in French Film ISBN: 9781349370702
In the France of the early 1970s, on the heels of the “events of May 1968,” with their worker strikes and student protests, political culture and political analysis increasingly infused the understanding and creation of art forms. On the Left, ar
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::96509e780fc00a302dc7ba92269549c5
https://doi.org/10.1057/9780230612105_3
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8
Love Stories, Real/Cinematic Heroines, the Postmoderns: The 1980s and Beyond
Autor: Leah D. Hewitt
Publikováno v: Remembering the Occupation in French Film ISBN: 9781349370702
Toward the end of her 1993 book, French National Cinema, Susan Hayward speculates about why there was an increased prominence of women characters in 1980s and 1990s films on the Occupation in World War II France. “Why,” she asks, “in the postmo
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::9f9d3e501f513ae136f65281042022b7
https://doi.org/10.1057/9780230612105_6
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9
In Lieu of a Conclusion
Autor: Leah D. Hewitt
Publikováno v: Remembering the Occupation in French Film ISBN: 9781349370702
What seems particularly painful for many about the modern evolution of the nation (whether it be France or any other Western country) is the recognition that we so often must live without consensus, that unresolved conflict and dissent are at the hea
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::533613189bc14dea9d2744b1c167ad5a
https://doi.org/10.1057/9780230612105_7
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10
Occupational Performances in Truffaut’s The Last Metro
Autor: Leah D. Hewitt
Publikováno v: Remembering the Occupation in French Film ISBN: 9781349370702
Whereas Lacombe Lucien turned out to be a succes de scandale, Francois Truffaut’s The Last Metro, made six years later (1980), was rather a succes tout court, receiving acclaim from the general public, as well as from the critics. Henry Rousso rank
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::72ef154f2dca75500179eeaa4c242a87
https://doi.org/10.1057/9780230612105_4
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