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pro vyhledávání: '"Leah Broad"'
Autor:
LEAH BROAD
Publikováno v:
Journal of the Royal Musical Association. 147:495-532
Incidental music of the early twentieth-century has received little musicological attention, despite its widespread use during this period of history. Theatres were a popular means by which audiences could interact with new music, and composers could
Autor:
Leah Broad
Publikováno v:
Journal of the Royal Musical Association. 145:417-456
Sibelius’s only balletic pantomime, Scaramouche, composed in 1913, remains one of his least-known works, even though it is one of his longest dramatic scores and belongs to his period of compositional re-evaluation. This article explores the pantom
Autor:
Leah Broad
When the director Per Lindberg took up the Artistic Directorship of the Lorensberg Theatre in Gothenburg in 1919, he intended to use the position to revolutionize Swedish theatre. Believing that realism, the predominant theatrical style, was outdated
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cd94611fada99343356f87e447fa902e
https://doi.org/10.1093/oxfordhb/9780190945145.013.16
https://doi.org/10.1093/oxfordhb/9780190945145.013.16
Autor:
Leah Broad
Publikováno v:
Tempo. 74:92-94
Autor:
Leah Broad
Publikováno v:
Nineteenth-Century Music Review. 17:155-159
Autor:
Leah Broad
•WINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD• The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.'Fabulous.'Sunday Times'A rare gift.'Financial Times'Passiona
Autor:
Leah Broad
Publikováno v:
Tempo. 70:84-85
Sibelius' and Nielsen's 150th anniversary year has prompted a proliferation of events to celebrate the music of the Nordic composers, from conferences to concert series. The Proms has been no exception, with an unusually high number of Nordic compose
Autor:
Leah Broad
Publikováno v:
Tempo. 69:61-62
2014, Sir Harrison Birtwistle's 80th birthday year, witnessed a plethora of events celebrating his music, from the Barbican's ‘Birtwistle at 80’ series to the ‘In Broken Images’ concerts at the Southbank Centre. Included in the latter was the