Zobrazeno 1 - 10
of 30
pro vyhledávání: '"Lavrinec, Jekaterina"'
Autor:
Lavrinec, Jekaterina
Publikováno v:
Santalka: Filologija, Edukologija / Coactivity: Philology, Educology. 19(2):62-73
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=143521
Autor:
Lavrinec, Jekaterina
Publikováno v:
LIMES: Cultural Regionalistics. (1):54-63
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=110401
Autor:
Lavrinec, Jekaterina
Publikováno v:
Filosofija. Sociologija / Philosophy. Sociology. (1):54-63
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=268056
Autor:
Lavrinec, Jekaterina
Publikováno v:
Filosofija. Sociologija / Philosophy. Sociology. (3-4):73-82
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=260348
Autor:
Lavrinec, Jekaterina
Publikováno v:
Filosofija. Sociologija / Philosophy. Sociology. (3-4):42-49
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=254830
Kuriant autonaratyvą: pastabos apie už(si)miršimą / CREATING THE SELF-STORY: NOTES ON (SELF)OBLIVION
Autor:
Lavrinec, Jekaterina
Publikováno v:
Filosofija. Sociologija / Philosophy. Sociology. (1-2):13-19
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=195583
Autor:
Lavrinec, Jekaterina
Publikováno v:
Problemos. :100-109
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=284622
Autor:
Lavrinec, Jekaterina
Publikováno v:
Filosofija. Sociologija / Philosophy. Sociology. (3-4):20-24
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=18140
Autor:
Lavrinec, Jekaterina
Publikováno v:
Creativity Studies; Vol 7 No 1 (2014); 55-68
Creativity studies 2014, Vol. 7, no. 1, p. 55-68.
Creativity studies 2014, Vol. 7, no. 1, p. 55-68.
The paper examines the potential of community art projects as a participatory research method and as a tool for neighbourhood regeneration. A thematisation of everyday micro-processes, which takes place in contemporary urban studies, involves the que
Autor:
Lavrinec, Jekaterina
Publikováno v:
Creativity Studies; Vol 6 No 1 (2013); 21-31
The idea, that spatial configurations produce comical and critical situations by encouraging certain “choreography” of its users, is brilliantly developed by Jacques Tati in his films (Mon Oncle (1958), Playtime (1967) and others). In his turn Mi