Zobrazeno 1 - 10
of 53
pro vyhledávání: '"Laurent Mellet"'
Autor:
Laurent Mellet
Publikováno v:
Cahiers Victoriens et Edouardiens, Vol 97 (2023)
We know the terms in which Virginia Woolf dismissed Edwardian writers for relying exclusively on materialism. However, another take on Arnold Bennett’s specific approach to objects and interior spaces is made possible by a reappraisal of his natura
Externí odkaz:
https://doaj.org/article/59e0a1f5f9ab4b6788c22167a5dd2ea3
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 62 (2022)
Externí odkaz:
https://doaj.org/article/c75528e7d5d94d3f92c8eaf4f9e38138
Autor:
Catherine Lanone, Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 58 (2020)
Externí odkaz:
https://doaj.org/article/2777e67c415d474c82adcc2f7e3d841a
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 57 (2019)
This issue gathers a series of articles which explore the validity of the concept of ‘narrative democracy’ when trying to unveil the narrative, aesthetic and ethical specificities of 20th- and 21st-century British literature and visual arts. Thes
Externí odkaz:
https://doaj.org/article/4369fc830f7f4f0b9cdd24eafd3aa76c
Autor:
Laurent Mellet
Publikováno v:
Cahiers Victoriens et Edouardiens, Vol 89 (2019)
Wells and Forster are usually said to have developed two radically opposed approaches to the power of the arts. I too first set them apart to distinguish between the two main transformative powers of the arts addressed in this issue. Wells’s convic
Externí odkaz:
https://doaj.org/article/b268ec7926394273928e4becb34ac366
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 55 (2018)
Externí odkaz:
https://doaj.org/article/b5d73de4dff34d619ed4600a0b97920c
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 55 (2018)
Coe’s latest novel surprisingly revisits some tropes of H. G. Wells’s scientific romances. This article studies what Number 11 owes to the dystopian cityscapes of the ‘London under’ we find in The Time Machine (1896) and The War of the Worlds
Externí odkaz:
https://doaj.org/article/2fdfa65a535d42a199f976b33a255bd6
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 55 (2018)
Many essays have shown how rich intertextuality is in McEwan’s novel. Among the sources most often studied, L. P. Hartley’s The Go-Between is usually mentioned as both a thematic and generic influence. Joe Wright has also often alluded to Losey
Externí odkaz:
https://doaj.org/article/6606bdfdba194b45a6578b089b518b09
Autor:
Laurent Mellet
Publikováno v:
Sillages Critiques, Vol 22 (2017)
In both Ian McEwan’s The Children Act and The Disappearance Boy by Neil Bartlett (2014), violence is first deciphered in the body contact which calls for a necessary distance between characters but also subplots, so that both protagonists and liter
Externí odkaz:
https://doaj.org/article/74612cf174cd44c58add50b7212e7261
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 51 (2016)
While laughter may still ‘draw people together’ and create intimacy and connections of sorts in Coe’s fiction, narrative irony, for instance, is a first tool for Coe to isolate the character and break not only the novelistic illusion, but also
Externí odkaz:
https://doaj.org/article/399cc5e2e4244aabac2de94fccaf88ef