Zobrazeno 1 - 10 of 13 pro vyhledávání: '"Laura E. Parodi"'
1
Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, Ed. Keelan Overton (2020) The Architecture of a Deccan Sultanate: Courtly Practice and Royal Authority in Late Medieval India, Pushkar Sohoni (2018; 2021)
Autor: Laura E. Parodi
Publikováno v: International Journal of Islamic Architecture. 11:431-434
Review of: Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, Ed. Keelan Overton (2020)Bloomington: Indiana University Press, 468 pp., 144 colour illus.,ISBN: 9780253048912, $36.00 (paperback)The Architecture of a Deccan Sultana
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::9c3a601bccce6cbab6a8c90eacfb4ead
https://doi.org/10.1386/ijia_00086_5
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2
Kabul, a Forgotten Mughal Capital: Gardens, City, and Court at the Turn of the Sixteenth Century
Autor: Laura E. Parodi
Publikováno v: Muqarnas Online. 38:113-153
Kabul was the seat of Mughal power during the first half of the sixteenth century, and—it is argued here—provided inspiration for the better-known Mughal metropoles of Hindustan. Sources suggest that the topography of Kabul was already well estab
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::a007802c7a040909173f0806a3bf8b61
https://doi.org/10.1163/22118993-00381p05
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4
Shah Abuʾl-Maʿali , Mir Sayyid ʿAli, and the Sayyids of Tirmiz: Three Portraits Challenge Akbari Historiography
Autor: Laura E. Parodi
Publikováno v: Muqarnas Online. 35:125-143
This essay closely examines three early Mughal portraits—the Portrait of Shah Abuʾl-Maʿali, Portrait of Mir Musavvir, and an alleged self-portrait of Mir Sayyid ʿAli—as well as a seal impression from an early sixteenth-century copy of Jamal al
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::9f77741d1f0269a198d83a30c49894e7
https://doi.org/10.1163/22118993_03501p006
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5
Infrared Reflectography of the Mughal Painting Princes of the House of Timur (British Museum, 1913,0208,0.1)
Autor: Giovanni Verri, Laura E. Parodi
Publikováno v: Journal of Islamic Manuscripts. 7:36-65
Infrared reflectography of the Mughal painting known as Princes of the House of Timur (British Museum, 1913,0208,0.1) suggests at least four phases of overpainting, reveals previously unseen inscriptions, clarifies issues of iconography, and provides
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::2ae2264e6c75eef51a7535e8efc3cdbc
https://doi.org/10.1163/1878464x-00701003
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